Does Geographical Therapy Help Writer’s Block?

Infinite Sight, a science-fiction tale by Barbara Custer, features a young woman waking from surgery with psychic powers.

Can traveling help with editing this book?

Someone once suggested that the best therapy for any stress is an old-fashioned vacation. I’d planned a few days at Ocean City, NJ months ago. Lately, I found myself having a tough time with the edits for Infinite Sight, soon to be going live. After whining about it on my Facebook posts, I asked my Mylar balloons whether geographical therapy, that is, a vacation would help me through this conundrum, for anything major I do always involves a discussion with my balloons.

Well, my balloonies, who have an answer for everything, replied, “Put a balloon lady on the bus in Franconia, a balloon lady gets off in Ocean City.”

Still, it had been years since I did something like this, back when Mike was healthy. So I went and spent the three days shopping, soaking up sun, reading, and socializing. I didn’t lift a finger to write or edit anything, not even so much as taking notes. I didn’t sleep my best – I never do in a strange bed, away from my balloonies – but the day I came home, I slept 10 hours that night.

40 Flash Fictions, written by Allan Heller, features zombie tales.I’m not going to say that geographicals work for everyone, but when I came home, I found myself better to handle the edits. I found a plot hole that no one had mentioned and fixed it. I’ve made a big dent in the editing mess that I had … enough with confidence that this winter could turn out to be a happy one as far as book releases go. Still, my Mylar balloons had a point. Once, I woke up, thinking that I was in my bed, and rubbed the back of my head against the pillows, searching for Mylar balloons until I remembered that I was in a hotel.

So … I’d like to hear your thoughts on geographicals and writer’s block. Have you tried traveling to wake your muse? I look forward to hearing about your experiences.

OctoberHalloween blog hop SPIDER Banner

 

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As part of the October Frights Blog Hop, I’m offering giveaways to random commenters—a signed, print copy of Steel Rose and Night to Dawn Magazine’s 28th issue.

When the Writing I Gotta Bug Bites You

In Stephen King’s Misery, his protagonist Paul said the I gotta motivated him to keep writing despite the tortures inflicted by the villain Annie. By tortures, I mean the loss of body parts, starvation, and other horrors. But he had to keep going because of the I gotta bug.

At the time, I thought I gotta was a cool expression. I gave it no more thought until I came down with the bug.

These past weeks, I’ve been revising “One Last Favor,” a tale earmarked for my anthology, City of Brotherly Death. A small press magazine published “One Last Favor” years ago. The story opens with a horde of revenants, people returning from the dead to harm the living, invading Hartland Clinic. My protagonist Tara survives by trading sex for her life. As the story advances, the dead continue their invasion, destroying entire cities. A registered nurse, Tara continues treating the sick until the monsters who bargained with her years before return for another visit. In the original version, Tara (different name in first version) joins the dead because she hates being alone.

When I evaluated the story for revisions, I thought, how trite. Most people in their right minds wouldn’t give up humanity to join a bunch of flesh-eating monsters. Tara enjoys patient care, respect, a decent income, and a comfortable apartment. Why would she give those things up?

I kept the first half of the story, revised the second, and ditched the original ending. It never occurred to me, until I was deep into my work, that I should have outlined my revision. So I got stuck. I sat before a blank screen trying to come up with a brilliant ending. If not that (you can’t win the jackpot every time), an ending that would satisfy the reader.

The thought crossed my mind to scrap the tale and move on to something else. I couldn’t do that, not with all those zombies threatening my protagonist’s life. One of my friends suggested I put the story on the back burner and go with other activities. I tried doing that, but after a couple of hours, that story called to me, demanding that I finish it. If I told you that only the prospect of sales and a contract motivated me, I’d be lying. Diggity-damn, those zombies found a way into Tara’s house, and what was she going to do about it?

My balloons need helium. Forget that. I gotta find out if Tara will live. Will the cavalry arrive in time to save her? Two editing projects are sitting in my queue. They’ll have to wait. I gotta see where Tara will finish up if she survives. I gotta know who will mourn her if she dies. I gotta find out if she manages to destroy the zombies.

Like a pearl necklace that motivates me to save until I have enough money to buy it, the I Gotta holds the promise of a brilliant ending. Chores be damned, I’ll keep going until I find that ending.

It took three tries to get a workable ending. Raising the stakes in the middle opened things up a bit, especially when Tara finds love. However, the ending is subject to change. The tale has gone to the editor. Toni of The Unbridled Editor has edited most of my tales for City of Brotherly Love. I highly recommend her.

While I wait for the edits, I shall fill my balloons and work on the other Night to Dawn projects. Because when the edits come back, I suspect there will be another go-round with the I gotta bug.

Has any of you been bitten by the I gotta bug? How did it affect your writing? Were you satisfied with the results?

Anthology featurings zombie and revenant tales by Barbara Custer, set in Philadelphia

 

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