Bad Seed

Barbara Custer's horror fiction included City of Brotherly DeathI heard the fireworks blast through the air, punctuated by the crowd’s whistles and shouts. Their laughter drowned out the sound of my hushed sobbing. While the New Year’s celebration exploded into rainbow colors, lighting the midnight sky, the frosty air chilled me to the bone. Though a sea of humanity swirled around me, no one looked my way. I was facing this new year alone.

Slowly, I turned away from the celebration, shuddering at the night that felt as cold and empty as my life. How I envied the crowd and their joyous smiles. More to the point, I envied those with relatives and friends who cared about them.

The crowd’s gaiety had become more than I could bear. No matter how hard I’d tried to make friends, my thoughts remained my sole companions. The dark alley I wandered into provided a welcome silence. The gloom closed over me like a coffin lid.

I tried not to think about my poverty of friends. Sometimes I succeeded by keeping busy at my job as supervisor at Fairview Hospital’s respiratory therapy department. During work hours, the loneliness whispered so softly I hardly knew it was there. At home, it gnawed a hole in my heart, especially during holidays. Watching people hug each other speared the memories through my consciousness, reminding me of the tragedy which had ruined my life.

During my last talk with my father, his tiny, hard eyes glittered like tarnished silver under the faint light in his living room. The faces on the football trophies lining his cabinet gave off more warmth than his shadowed features. He was delivering a harsh lecture. Telling me to leave home. Disowning me because of a car accident that had caused my fiancé, David Wood, to die.

He called me a bad seed because I inherited my mother’s fondness for liquor. David died, he said, because I had too many beers before getting behind the wheel. Never mind that the car I broadsided had raced a red light. Never mind that David had refused to wear his seatbelt. Never mind that each day I relived the accident, watching David’s head plow through the windshield, hearing the tinkling glass. I made a mistake; I remembered telling my father. Couldn’t I have another chance?

My father’s face turned crimson, and dark lines creased his granite chin. Meeting my gaze with his cold eyes, he pulled an envelope from his blazer pocket. It made soft wisps as he shoved it across his coffee table. The words on its contents blurred in the salty tears that flooded my eyes. A massive ache, warm and smothering, swelled up inside my chest.

The envelope contained a letter from the Woods’ lawyer. They were suing my family for damages. According to David’s father, I’d shown up at their home drunk the day of the accident, but David had borne the consequences. Head injuries had rendered him comatose, dependent on a respirator, while I’d gotten off with minor lacerations.

While I read the letter, my last visit with David came to mind. His eyes, fixed and dilated, focused at the ceiling. He did not respond to my voice. I recalled listening with helpless horror as the doctor pronounced him brain-dead. I watched, eyes filled with tears, while the Woods had David disconnected from the respirator. Moments later, his heartbeat flickered to a stop.

David’s father had called that night, threatening a lawsuit, Dad said. When my dad pointed out that David should have recognized my condition and taken over the wheel, his father wouldn’t listen. Instead, he said two words before hanging up the phone: bad seed.

The sub-zero temperatures impinged on my consciousness, nudging me back to the present. The alley’s stone wall frosted my cheek, whispering a rumor of the chill lodging in my heart. I imagined a jagged ice splinter wedging through my chest, draining the love I felt, leaving only a dead feeling. Sometimes I drank to ease the pain. It never worked. My loneliness became worse.

David’s death had motivated my present calling, but mastering patient care skills wouldn’t do. I had to atone for my crimes. That meant taking assignments in Fairview Hospital’s long-term ventilator unit, where victims of car accidents languished for months. Not a muscle moved when I stuck these patients for blood. I never complained about working with these people. Instead, I thought about David, dead, his last breaths pumped by a machine.

Around my workers, I manufactured a brittle smile, and the stories I invented about my romantic escapades were limited only by my imagination. No one saw past my false front. No one cared to look, especially during my chart reviews. When I found errors, my harsh voice grated like fingernails on a blackboard. Sometimes my shouts drowned out the sound of my sorrow.

I gave one therapist, Gary, a written warning after I observed his Singer sewing machine method of drawing blood. He’d attempted the procedure without wearing gloves or swabbing the site with alcohol. The other therapists used to joke about Gary’s incompetence, but I shadowed him during rounds, watching and waiting for him to screw up. After reading my memo, Gary called me a witch. I threatened to get him suspended for insubordination. He challenged me to go ahead. Gary ended up getting fired, and my father’s voice whispered the words “bad seed” inside my head.

Brilliant red rouge covered up the memories. My grandfather clock ticked away like a time bomb while I stood before my mirror, sculpturing my face into that of a stranger’s. Layers of hairspray froze my chestnut curls into place. I manicured and polished each fingernail. My hair clips and jewelry glittered like shields of armor. Though I created a flawless appearance, I still heard my father’s voice calling me a bad seed. The memory faded.

Before I realized their intent, I felt my hands pulling at my leather gloves. The frosty air chilled my fingers as I yanked off my sapphire ring. David had given it to me as a pre-engagement gift. The gem glowed in the gloomy light afforded by the street lamps. At one time, that ring had meant everything to me. Now it had become nothing more than a hard stone, a symbol of everything that had gone wrong in my life. I tossed it into the snow-covered street. It made a faint plopping sound.

I turned away, ready to leave when out of the depths of gloom floated a man’s gravelly voice. “Susan,” he called. “Susan, where are you?”

Whirling around, I searched the alley for the source of that voice. My eyes squinted, trying to see, but they only saw icy patches glinting in the half-light. My breath curled up before my eyes. I stepped into the shadows, heart thudding inside my chest.

Something cold and knobby brushed my leg, and I started. I covered my mouth, trying to stifle the screams building inside my chest. Looking down, I saw a man sprawled at my feet. He wore tattered hospital scrubs. No coat. White scabs and dirt-crusted his bruised skin. Soon, he’d freeze to death.

I took off my overcoat and draped it over his inert form. My fingers felt ridges of bone beneath his scrubs. At first, I thought that he had already died and that I’d imagined the voice. Instead, the man sat up, wrapping the coat around him. His arms and legs appeared bruised and blistered.

A profound sadness rolled through me, bringing tears to my eyes. His cracked skin stretched over his pointed chin and stick-like limbs. Bare bone protruded through the tears in his skin. His hair hung to his shoulders, clumped together with frozen mud. His swollen lips twisted into a smile that didn’t touch his sunken eyes. For some reason, he looked familiar.

“Wait here,” I told him. “I’ll call an ambulance.”

“No ambulance, Susan.” His voice sounded like tearing parchment. “It’s too late.”

“Do I know you?”

Lame question, but I couldn’t think of anything better. How did he know my name? Something moved under his eyelids, but I couldn’t tell what.

He nodded. “We have unfinished business.”

“You’re hurting badly,” I said. “I can’t leave you here.”

“My pain and suffering have ended. Now I’m alone.” He paused. “Like you.”

His anguished voice pulled at my heart, tugging also at the corners of my mind. Something shiny flashed before my eyes. When I looked down, he was fingering my ring. He stared at the ring as its sapphire flickered in the dim light. A wistful look crossed his face, and then he pitched the ring back into the street. His lips tightened as if he’d tasted something sour.

“Alone,” he said again.

No treatment could save this man, but I still felt the need to help him. Perhaps this need had something to do with David’s death. Maybe I identified with another lonely soul. Whatever my reasons, I longed to do something for him.

To my surprise, the man rose to his feet without wobbling or moaning. I held him against my chest. Cold cobwebs of bone poked through the coat; he couldn’t have weighed more than eighty pounds. The chill from his body seeped through my clothes, turning my skin to goose-flesh. I shivered.

My heart hammered away, each beat quivering through my muscles like pinpricks of electricity. He stiffened in my arms. His body had a rancid odor. The stench of advanced disease, perhaps forthcoming death.

“Alone,” he repeated.

“I’m taking you home with me,” I whispered into his scabbed ear. “I’ll do my best to make you comfortable. If you like, I’ll call someone from the clergy.”

My companion looked up at me intently. His black pupils had swollen, covering most of his eyes. Like David’s. He pressed closer to me, his elbow like a knife in my stomach. Alarms went off in my head.

“A lonely woman with a good heart,” he said quietly.

“You think so?” Before I could stop myself, I burst into tears. My mascara ran, stinging my eyes. My sobs reeked with bitterness, tears I should’ve shed over David, but didn’t. “Maybe you’re right. The question is, do I have a soul?”

My companion laid his skeletal hand on my shoulders and stared into my eyes. His haunted face spoke of festering nightmares and the tragedies that had created them.

“You and I came from the same place,” he said.

Without answering, I ushered him out of the alley and to a dimly lit lot, where I’d parked my Honda. The celebrants’ shouting faded behind us.

At my townhouse, I led him to my kitchen, where I kept my first aid supplies. I draped an old blanket over his shoulders. After drawing up a pan of hot water, I set it on the linoleum floor. Gently, I lifted his fragile feet into the basin.

I soaked a rag with water. As I knelt before him, I expected to feel his sour breath against my hair, but the air remained still as death. This sent chills up my spine.

The shivers settled around my neck when I proceeded to wash his legs. Tufts of skin and fascia fell away from his calves, leaving behind naked bones. Within minutes, the water turned deep red. When I looked up, he was removing his scrub shirt. I screamed when the glow from the overhead light fell on his sunken chest. For a moment, my surroundings blurred. I squeezed my eyes shut, waiting for the dizziness to pass, but the image burned into my mind. I opened my eyes again.

The skin on his chest had withered and blistered, with ribs poking between the open sores. A gaping hole near his sternum revealed splintered bone and flesh crusted with dried blood. Streaks of blue and red laced his skin around his upper torso. I probed under his bony chin, knowing that I wouldn’t find a pulse. The skin broke, oozing greenish pus.

“No, no,” I wept, drawing back my fingers. I stood up and backed toward the sink. My mind whirled, trying to decide if I was going crazy. Maybe I was asleep, having the granddaddy of nightmares. “You can’t be real.”

“You brought me here,” my companion said in a reasonable voice. “How can you deny my existence?”

“Dead people can’t—they aren’t supposed to come back to life.” My voice rose and fell, hitching with sobs. “Who are you? What are you?”

“I think you already know, Susan,” he said. “I’m not dead yet. I’m dying by inches.”

He reached toward me, with his shirt in hand. Flakes of skin fell from his mottled arms like grisly rain. I looked at his shirt. A faded tag under its collar said, “Property of Fairview Hospital.” I turned it over, imagining what the shirt looked like new, and …

The memory came back to me like a vision. The shirt had belonged to Gary, the therapist whom I’d gotten fired, the one who’d called me a witch. His savings had run out, and he ended up on the street, shot and beaten to death.

“No, Gary,” I stammered. “Who did this to you?”

His eyes narrowed, and a tremble flickered over his lips. “I pulled the trigger because I saw how hopeless my life had become. Like you, I’ve lost someone dear to me. Like you, I’ve had to pay for my mistakes.” His head tilted sideways. “Mistakes caused by liquor.”

Sudden fire burned in my chest, melting my frozen heart. The terror I’d felt fled, and utter longing took its place. Love. Whatever his body had become, I saw the pain of unrequited love on his face. For the moment, I forgot that my visitor was a dead man. I forgot everything except the love blooming afresh in my bitter soul.

“What?” I gasped. “How did you know …?”

“You’d be surprised at what a person learns after death. I never knew, until my passing, that loneliness wears many disguises. For example, your anger toward people. Do you remember the day?”

The love I felt burned into my very heart, melting my thoughts and feelings. Images rose from the smoke, memories of the days I’d worked with Gary. Worked on Gary. His eyes held a blank look, like someone who’d wandered into a black hole. Did Gary drink because I’d broken his spirit? “I came down hard on you,” I said at last, “because your work had gotten sloppy. What did liquor have to do with that?”

“I’d gotten wasted the night before, and a nurse complained that she smelled whiskey on my breath. I failed a breathalyzer test. Human Resources offered counseling, and I refused because I didn’t want people at work knowing my business. So they fired me, and no other hospital would hire me.” Gary affected a deep sigh. “My wife told me to get lost. My mother refused to help because I reminded her of my father, who’d lost jobs because of his drinking. She called me a bad seed.”

From deep within the darkness of my closed eyes, I felt Gary’s hand on my shoulder. I wept noiseless sobs, tears for Gary and myself. When I opened my eyes again, I gazed at his drawn face. I recognized his heartache, having seen it in my mirror enough times.

“After my marriage went sour, it was like I went to a dark place, where no one could get to me.”

“I’ve lived in that place,” I said quietly.

“I know you have,” he said. “I want to thank you for your honesty. Harsh as you were, you told me the truth when no one else would. I owe you for that.”

Gary rose to his feet. “I must go now and rest.”

“Don’t leave,” I begged tearfully. “We’ve left so much unsaid.”

“No, we haven’t,” he said. “I couldn’t rest until I made my peace with you. You’ve made every aching step worth it.”

I had nothing more to say. Silence could describe my feelings; words could not. He turned and crossed the kitchen. After opening the door, he melted into the shadows on my porch. A heartbeat later, he was gone. His clacking footsteps became a memory.

I tried to picture Gary. I wanted his face to be etched forever in my mind. His papery skin and ragged hair. The bottomless pupils on a withered face. The self-inflicted wound on his chest, where the bullet had left an open hole as if he’d sliced something from his body. I tried to imagine angel wings where only rotting flesh remained.

After some time, I got up and headed to the window, hoping to see Gary one last time. Outside, a full moon cast silver shadows on the snow-covered streets. Scattered stars surrounded the moon, glittering like jagged diamonds. Or like my shattered heart of ice. Somewhere the shouts of celebration drifted from the streets. The end of the old year. The start of the new.

Only this year, I loved.

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To give you a flavor of my brand of horror, I took “Bad Seed” from my City of Brotherly Death Collection. Hope you enjoyed it. 🙂

Commenters are eligible to win a copy of When Blood Reigns.

The Pumpkin Bug

I’ve been infected with the pumpkin bug, and so I must do my yearly duty with pumpkins. As one who loves pumpkin spice, I baked over a dozen pumpkin cupcakes, and 12 pumpkin muffins. I’ve got pumpkin spice flavoring to add to my coffee. What’s more, I chose the above graphic to feature my posts for the October Frights blog hop. I’ve earmarked Wawa and probably Starbucks for pumpkin flavored shakes and lattes. Finally, I went and bought pumpkin sauce to use instead of traditional tomato sauce for some of my spaghetti meals, for the pumpkin rules. My Mylar balloons understand because they deal with my fever every year.

Food aside, the pumpkin is an important ingredient for Halloween. We have the Irish Festival Samhain to thank for Halloween as we know it. Samhain marked the passage from the summer harvest season to the dark of winter. People believed that fairy spirits, and not the nice kind, lurked in the shadows. To distract these spirits, people would carve faces into large turnips and set lit candles inside them. They would then place these lanterns among roadways and gates to light the way for travelers and caution the fairies.

The immigrants from Ireland and Scotland arrived around the mid-1800s, and these folks found the pumpkins useful for the jack-o’-lanterns. Thus this Halloween ritual was born.

My other upcoming blogs will have three discussions on writing issues and one short story. My tales don’t contain any scenes involving pumpkins, but you can sure make some delicious treats. Since people are always hungry, you might want to stop by King Arthur Flour to check out their pumpkin recipes. For gluten-free diets, you can substitute their Measure-for-Measure flour for regular flour.

I know of a lot of folks who set up pumpkin jack-o’-lanterns, but I’d much rather buy canned pumpkin and bake. Carving involves a lot of hard work, and some pumpkins weigh as much as 25 pounds. That’s not to say I won’t indulge in pumpkin Mylar balloons—I’ve got about two or three of them now.

Today, I found a pumpkin cupcake in my lunch kit. I must give the pumpkin his due.

Commenters are eligible to win a print copy of When Blood Reigns.

This zombie novel was written by Gerald Browning

Great tale to enjoy with your pumpkin bread!

Interview with John Nicholl, Author of Portraits of the Dead

portraitsofthedeadbannerToday, I’m delighted a feature an interview with John Nicholl, author of Portraits of the Dead. His other books include When Evil Calls Your Name and White is the Coldest Colour. John is always happy to hear from readers, bloggers, or anyone interested in proposing a joint creative project. He can be contacted through his author website: www.johnnicholl.com.

Barbara: What is your favorite ice cream flavor?

John: Chocolate.

Barbara: Which mythological creature are you most like?

John: What the ….? My wife says I’m like a bear with a sore head. Does that count?

Barbara: First book you remember making an indelible impression on you.

John: The Alchemist by Paulo Coelho

Barbara: How do you develop your plot and characters?

John: I start with the key characters in mind and let the story develop from chapter to chapter.

Barbara: Describe your writing space.

John: I write with family life going on all around me.

BLURB: Emma didn’t know how long he hid, silent and unmoving, in the large Victorian wardrobe to the side of her single bed. She didn’t know how long he peered out, salivating and drooling, between the two heavy dark oak doors, and watched, mesmerised, as she slowly drifted into fitful sleep. She didn’t know what time he pushed the doors open and crept towards her in the drab grey darkness of the night.

Detective Inspector Gravel finds himself floundering when a local nineteen-year-old university student is abducted and imprisoned by a sadistic serial killer, who has already tortured and killed five young women.

A gripping page-turner of a serial killer thriller packed with suspense. If you like Rachel Abbott, Robert Bryndza and Karin Slaughter, discover John Nicholl’s chilling new thriller today.

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AUTHOR Bio and Links:

John Nicholl, an ex-police officer, child protection social worker, manager, and lecturer, has written three dark psychological suspense thrillers, all of which are Amazon international bestsellers, reaching # 1 in multiple categories in the United Kingdom, France, Spain, Australia, Canada and the USA. John is always happy to hear from readers, bloggers or anyone interested in proposing a joint creative project. He can be contacted via his author website at:

 

http://www.johnnicholl.com

https://www.facebook.com/john.nicholl.988

https://twitter.com/nicholl06

https://www.goodreads.com/author/show/13795294.John_Nicholl

Buy Link: https://www.amazon.com/Portraits-Dead-John-Nicholl/dp/1786972670/

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Excerpt:

Chapter One, 2:20 A.M. Saturday, 2 May 1998

Emma didn’t know how long he hid, silent and unmoving, in the large Victorian wardrobe to the side of her single bed. She didn’t know how long he peered, salivating and drooling, between the two heavy dark oak doors and watched, mesmerised, as she slowly drifted into fitful sleep. She didn’t know what time he pushed the doors open and crept towards her in the drab grey darkness of the night. But he did. She knew that he did.

Emma woke with a start, tense, alert, and opened her bleary eyes, telling herself insistently that the dark silhouette slowly approaching her was the nightmare construct of her subconscious mind. But initial anxiety became blind panic as the inky shadow took on an obvious human form that suddenly gained pace and loomed over her. And then a hand, a large hot clammy hand, pulled the bedclothes over her head, clamped her mouth tight shut and silenced her scream before it materialised.

A myriad unwelcome thoughts invaded her troubled mind as he pinned her head to the pillow and raised his free arm high above his head, before closing his fingers tightly, forming his hand into a formidable weapon and bringing it crashing down, again and again and again, with all the force he could muster, rendering her unconscious and bleeding.

She didn’t know how long she remained senseless, or what he did to her while she slept. She didn’t know what time he lifted her from her bed and carried her from her student bedroom, down the creaking wooden staircase and out into the Welsh city street. But he did. She knew that he did.

Writing after a Loved One Dies

 

Michael was very supportive of my writing endeavors.

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My family took the picture to the left a year before my husband Mike went into the nursing home. You hold onto the good days when you get them, and Christmas, 2009 was one of them. When he passed on January 29, the pain of losing him shot through my heart like an arrow. I wondered how this would affect my writing and other activities.

When my mother died in 1990, an instructor advised me to keep a daily journal. This journal evolved into fiction pieces, and months later, I submitted them for publication. In 1995, after my father died, I sat down and penned a short story in three hours. It got published within a week. Losing Mike has come with its own circumstances, though.

I seldom discussed Mike on social media, but if one wanted a true measure of my grief, they only had to look at my checkbook entries for March. I’ve had to scribble out and rewrite most of the entries, and it was hard to read what I’d written when I had to balance the checkbook. The writing dried up as well; I have written only two or three blogs during the last six months. It was like my internal gadget for blog making had gone into hibernation. As it was, the handling of Mike’s estate and increased need for sleep left no time for blogging. On my days off from work, I had numerous appointments lined up with the lawyer, the bank, insurance folks, etc. By 7:30 at night, I was ready for bed. Thankfully, I had previously pulled together Night to Dawn 29, and my authors have been understanding regarding other projects.

The story writing did a big slowdown, too. I’ve been trying to work on a sequel to When Blood Reigns, which should see a fall, 2016 release. I began writing it with visions of Alexis and Yeron setting up house and beating down the renegades. The thing was, when I attempted to write from Alexis’s point of view, I managed only a few paragraphs at a time. The appointments and the phone calls that came with them got in the way.

I found a lot of help from my writer’s support group in Hatboro and The Writers’ Coffeehouse. This has helped get the words moving. Night to Dawn 30 has gone together without a hitch; NTD released Sandy DeLuca’s Lupo Mannaro, and I’ve just released a new edition of Rod Marsden’s Ghost Dance. I will likely do a blog tour after my book When Blood Reigns goes live, so there should be more blogs coming.

The parade of Mylar balloons has grown, although the intense heat we have now has laid some to rest. At any supermarket, you’ll find a balloon or two trailing me to the cashier’s line. I tried getting around the writer’s block by introducing a new character into the book, one who likes balloons. She was supposed to be a secondary character, but … she’s taking over the book. When I work on a chapter that involves this character (she’s also dealing with grief), the words flow like balloons do toward me at the markets. Perhaps I am journalizing after all. In any case, I find myself jumping around and writing the material from her point of view. I anticipate completing this book, but it’s liable to turn out way different from what I had imagined.

This leaves me to wonder how grief affected other writers. Did you find yourself changing genres or going off on a different tangent? Did you keep a journal? I’d be interested in hearing your experiences.

Ghost dance, a horror tale written by Rod Marsden.

Parkinson’s Scorched Earth: The Conclusion

Mike was living a real life horror tale with his disease.

You grab the good days when you can.

The conclusion happened January 29th at about 2:00 p.m. The scorched earth warfare waged by Parkinson’s and dementia against Mike prohibited his ability to swallow, and that was when he died. I should have seen it coming; he’d been losing weight and getting frequent infections. My Mylar balloons tried to warn me. Every time I browsed Amazon to order him fresh supplies, the balloons stayed my hand. “Wait,” they advised me quietly. “He’s not going to need those. Save your money.”

Speaking of balloons, it was Mike who introduced me to them. He brought me some when we got engaged, and after his hospital stay in 1996, he thanked me for his care with several Mylar balloon bouquets. He loved my cheesecake, and I told myself that as long as this continued, no worries. Denial can be a comforting place.

He often regaled people with tales of his years in the Navy during the Vietnam War. Later on, he added that the Navy gave him the happiest years of his life, and now I can see why. Time spent around other people enabled him to escape the reality of Viet Cong capturing people and Parkinson’s disease invading his body.

“Scorched earth” comes from the military strategy the US used to fight the Viet Cong. This strategy involved the destruction of crops, homes, and resources vital to the enemy. I don’t recall exactly when Michel’s war with Parkinson’s disease got ugly, but I know that dementia had imprisoned his talents. It whispered “scorched earth,” with gardening, driving, and activities of daily living becoming the first casualties. His frequent falls echoed “scorched earth,” necessitating admission to the Veterans home. The ability to swallow became dementia’s final target; yes, dementia can affect swallowing in its late stages. The patient’s cognitive function worsens until finally, his brain forgets how to swallow and sustain life. After his admission to the home, I learned that deep brain stimulation, when done in the subthalamic nucleus where Mike had it done can cause cognitive changes, including dementia.

I can sum up Michael’s fight with Parkinson’s by using an analogy about life. When I was ten, my mom sent me to a summer camp for three weeks. Other kids spent the summer; some stayed a week.  Some preferred sports; others leaned toward arts and crafts. One kid remained a loner and avoided most activities.

In many ways, life is like camp. God drops us off to “stay” for a while; some of us will remain here longer than others. Some people become writers or artists. Others go for medicine or law. Mike came to the camp of life with many talents, but as the years passed, he reminded me of the little girl who didn’t fit in.

His problems became apparent when his doctor attempted different medicines that resulted in intolerable side effects. At work, customers complained about his softening voice, accusing him of drinking (he was a teetotaler). Although surgery contained the tremor, it aggravated his cognitive changes and speech difficulties.

After Mike went on disability, he joined the neighborhood’s beautification committee. He had his horticulture skills behind him, and this seemed to give him purpose. Instead, after a few months, he came home, reporting that he’d been “ousted.” One of the other members who happened to be a nurse explained that Mike was exhibiting personality changes and none of them pleasant. Toward the end, he became a lone wolf like that little girl at camp.

Thankfully, the Veterans home nurses treated him like family. They appreciated the sense of humor and kindness still lingering under the dementia. He’d been supportive of my writing, and this continued on his good days. Up until a month ago, he giggled at my balloon adventures. I suspect that his relatives in Heaven will welcome him with love, balloons, and flowers. Whatever Mike saw upon passing must have been beautiful, for he had a look of awe on his face. His suffering is behind him, and I’d like to think that he’s filling up on cheesecake, picking balloons, and thinking of me. Heaven has surely gained an angel.

Featuring R. Arundel: The Hardest Part of Writing is…

R. Arundel, author of Face Transplant, delivers a compelling blog on writing.

The hardest part of writing is the middle or, as some have said, the “muddle.” It is relatively straightforward to create an interesting premise and an exciting opening to hook your reader. Also the ending of the book in a thriller will have a climactic end with revelations the reader did not expect. These parts of the book fuel the writer to fill the pages. The middle is a different story.

The middle of the story has to keep the story moving forward with interesting details, fill in exposition needed for the story, fill out the characters, develop subplot. This all has to be done in an interesting and fresh way for the reader to continue to enjoy the book. The opening is usually sketched out with relative ease since this sets up the story and really the only concern is how you will decide to reveal the opening. Likewise the ending really has been determined by what has already been written in the story. The conclusion naturally flows from what has already been written.

The middle can easy become unfocused and meander down paths that really don’t propel the story forward. The other problem with the middle is that it has to keep the fill in essential elements and be interesting. The initial pages can have a breathtaking scene, with details to thrill the reader. This can’t be done for the entire novel or it will lose its effect and the novel will become over the top and totally unbelievable. The middle has to take a more nuanced approach to storytelling. The pacing must vary, the characters must have interesting reveals. My personal approach to the middle is to make sure everything propels the story forward, even if some of the expository details are less exciting than the opening.

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TheFaceTransplant is a compelling tale written by R. Arundel.

Dr. Matthew MacAulay is a facial transplant surgeon at a prestigious New York hospital. When his friend and mentor, Tom Grabowski, dies under mysterious circumstances, Matthew uncovers his friend’s secret: a new technique that allows perfect facial transplants. No incisions, no scars. Tom was able to accomplish this monumental feat with the help of Alice, a supercomputer robot with almost human abilities. While trying to find the people responsible for murdering Tom, Matthew realizes he is the prime suspect. He must flee for his life with the help of Dr. Sarah Larsson, a colleague and reluctant helper, who has a secret of her own, and Alice, who helps them make sense of a baffling series of seemingly unrelated events. The clues carry Matthew and Sarah around the world. They stumble onto a sinister plot of monumental proportions that leads Matthew all the way to the White House.

The Face Transplant is a powerful medical suspense thriller of the first order. The novel was written by a surgeon who weaves politics, medicine, and espionage into a tightly paced, intelligent thriller.

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AUTHOR Bio and Links:

Arundel is a practicing surgeon. This experience brings realism to the story. The novel asks what would happen if a surgeon were to develop the perfect face transplant. This would allow people to have a new face, in essence create a new identity. You can create the perfect double, the perfect Doppelganger.

Contact link: http://www.amazon.com/R-Arundel/e/B00EBCQVEC

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Excerpt:

Guaarrr. It sounds like water draining from a very large bathtub, through a very large hole. I just killed myself. I just killed the patient. Dr. Matthew MacAulay looks down on the operating room table at the gaunt, graying man. Matthew quickly scans the operating theater. Out of the corner of his eye, he can see the short wide man in the observation area.

I just killed myself, Sarah, and Amanda.

They have been hijacked into performing a face transplant. The patient is unknown. Mr. Glock, the short wide man, hovers in the far end of the operating room. He made it clear that if the patient did not survive, the three of them would be following him in short order. The 9 mm Glock with a silencer on the end gave credence to his profanity-laced words of warning.

Matthew looks across the operating room table at Amanda Soto, forty-two, an American of Spanish ancestry. She has been his scrub nurse, assisting him in the operating room for the last three years. Divorced, one child.

It will take a few more seconds for the monitors to tell everybody what Matthew already knows. Amanda already knows. She is right across the table. She saw him use the robotic arm to dissect the vessel and mistakenly cut the large artery in the neck. An operating room nurse of Amanda’s experience has seen it all. When Matthew looks into her eyes, they flash ever so quickly an acknowledgment that it is all over. Instead of any words, she quietly unclamps the suction. Now a dull hiss fills the air. To the casual observer, or the short wide man holding a 9 mm Glock pistol in his fat stubby hands, nothing really has changed. Amanda, anesthetist Dr. Sarah Larsson, and Dr. Matthew MacAulay act as if all is going well.

Matthew cannot help but glance over to the man with the 9 mm Glock. In his mind, he names him Mr. Glock. Adrenaline surges through Matthew’s body and time slows. The short wide man, Mr. Glock, has gray eyes. Pale, gray eyes. Very pale, almost tired. Matthew remembers reading somewhere that people with gray eyes have the best visual acuity. They make the best marksmen, the best assassins. He wonders if this was true.

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