Show and Tell

Barbara Custer writes zombie fiction and science fiction / horror.Today, I planned a show-and-tell with my latest book covers, never realizing that the activities would begin with my trip to the supermarket. I headed to the Acme to buy two gift cards for an early start on holiday shipping. The gift cards would have earned me a $20 coupon, but then Mylar balloons swarmed me as I entered the store. I hied over to Baking Supplies and bought needed items, all the while hiding; but at the fruit stand, I had to face the music. Six strawberry Mylar balloons hovered over the bananas I wanted. The store may have had gift cards, but all that was lost on me when the Mylar balloons waylaid me.

Maybe I deserve a balloon treat since I’ve got some new releases forthcoming through the Night to Dawn imprint. Night to Dawn 28 is making an appearance on Amazon, and its cover has drawn many compliments from viewers. Sandy DeLuca has done awesome illustrations and poetry duets with Marge Simon for Night to Dawn magazine.

After reading Allan M. Heller’s 40 Frightful Flash Fictions, the lights will stay on long after bedtime, assuming you can fall asleep, for devastation is served with a smile. The anthology is going through the formatting stage. Stan Horwitz provided the images—real beauties; and for lettering and design, Teresa Tunaley pulled frightening birds out of her hat. Look for 40 Frightful Flash Fictions in the coming weeks.

In Infinite Sight, guilt over an infant’s death motivates protag Lilly into a rescue that catapults her into a war between two alien armies. Infinite Sight originally appeared in Fading Shadows’ Alien Worlds magazine as “The Good Samaritan Revisited.” It’s gone to Gemini Wordsmiths for a developmental edit, for no published book is complete without a healthy edit. At any rate, I’ve got a stunning front and back cover, thanks to Marge Simon. I’ve had the pleasure of working with Marge since I first took over Night to Dawn magazine as a spiral-bound book. I estimate a publication date during the holiday season or shortly afterwards.

What happens when the human brain spirals, cutting a swath between a masterpiece and monstrosity? You’ll find out in early winter (estimated) when L. M. Labat’s The Sanguinarian Id goes live. I anticipate a cover image shortly.

Ditto for When Blood Reigns, sequel to Steel Rose. I don’t have a publishing date or estimated time yet. It has gone through developmental editing and should be worth the wait.

Tomorrow I’m heading to the Giant supermarket for the remaining groceries still on my list. This week presented a heavy grocery list, and crunch time for budgeting. Will I remember that when the Mylar balloons come calling? I’m going to try, but when the Mylar “I gotta” bug bites, look out.

Barbara Custer's Night to Dawn features vampire and zombie fictions.Allan Heller's 40 Frightened Flash Fictions features creepy zombie tales.

 

 

 

 

 

 

Barbara Custer's science fiction novel features a protag with "Infinite Sight."

Rejected Again? Take Heart!

Take heart - Barbara Custer of Night to Dawn wants to read your zombie fiction.

Lately I’ve read a lot of posts on the angst people feel when they submit work and get the infamous rejection letter. With my NTD magazine, I’ve been on both sides of the desk, so when I reject work, I try to be careful with how I word my reply. I might make suggestions on improving the story. If I really like the story, but not enough to use it for NTD, I’ll encourage the writer to send more work. Let’s say you’ve read and reread your story to your critique group, gone through the piece for typos with a fine tooth-comb, and you can’t break into a publication. Howcumzit?

Look at your cover letter. You’d be surprised how many submissions I get start with “dear editor.” When someone doesn’t take the time to learn my name, I have to wonder if they researched the magazine at all. I’ve heard this complaint from other publishers, too.  Most editors frown on nicknames, too, but if someone called me “balloon lady,” at least I’d know the person sending was doing their homework. Lose the “you’ll love my story” approach, too. For short stories, keep it simple. A brief bio is great. Also anything that qualifies you to write the story. For example, I let people know I’m a respiratory therapist because my medical background gives technical detail to my stories.

Let’s say your cover letter is clean, and it’s time to read the submission. Well, for me, browsing through submissions like a trip down the party aisle at the supermarket. If a story or poem calls to me the same way a balloon does at the supermarket, that piece will go to print. So how do I select balloons? Glitter, unique shape, original design, and well inflated. How does this compare to submissions?

  • Glitter: The story should glitter with conflict and action from page one. Better yet, the first paragraph in a short story. Your protagonist should protag and not be a spectator. If you’ve cluttered the first two or three pages with backstory, you’ve lost the reader.
  • Unique shape: Butterfly balloons in particular catch my eye. With stories, I’m looking for unique takes on the vampire, zombie, and other conventional monsters.
  • Original design: I’m looking for a story told in a fresh slant. Recently I’ve rejected work because I’d already published similar stories.
  • Well inflated. I won’t buy a balloon that has soft spots because it may be leaking helium. So what qualifies as a “well inflated” story? The conflict and action keep me reading from start to finish. I’ve gotten some stories that started beautifully but fell flat at the end. Sometimes the ending stops me but I can’t say why.

Let’s say you jumped through those hoops and you still get a rejection. If an editor rejects your work with a personal critique, it means they cared enough about the story to make suggestions. Another editor may have a different, more positive perception. If the editor invites you to send more work, they mean it. So keep submitting!

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