Show and Tell

Barbara Custer writes zombie fiction and science fiction / horror.Today, I planned a show-and-tell with my latest book covers, never realizing that the activities would begin with my trip to the supermarket. I headed to the Acme to buy two gift cards for an early start on holiday shipping. The gift cards would have earned me a $20 coupon, but then Mylar balloons swarmed me as I entered the store. I hied over to Baking Supplies and bought needed items, all the while hiding; but at the fruit stand, I had to face the music. Six strawberry Mylar balloons hovered over the bananas I wanted. The store may have had gift cards, but all that was lost on me when the Mylar balloons waylaid me.

Maybe I deserve a balloon treat since I’ve got some new releases forthcoming through the Night to Dawn imprint. Night to Dawn 28 is making an appearance on Amazon, and its cover has drawn many compliments from viewers. Sandy DeLuca has done awesome illustrations and poetry duets with Marge Simon for Night to Dawn magazine.

After reading Allan M. Heller’s 40 Frightful Flash Fictions, the lights will stay on long after bedtime, assuming you can fall asleep, for devastation is served with a smile. The anthology is going through the formatting stage. Stan Horwitz provided the images—real beauties; and for lettering and design, Teresa Tunaley pulled frightening birds out of her hat. Look for 40 Frightful Flash Fictions in the coming weeks.

In Infinite Sight, guilt over an infant’s death motivates protag Lilly into a rescue that catapults her into a war between two alien armies. Infinite Sight originally appeared in Fading Shadows’ Alien Worlds magazine as “The Good Samaritan Revisited.” It’s gone to Gemini Wordsmiths for a developmental edit, for no published book is complete without a healthy edit. At any rate, I’ve got a stunning front and back cover, thanks to Marge Simon. I’ve had the pleasure of working with Marge since I first took over Night to Dawn magazine as a spiral-bound book. I estimate a publication date during the holiday season or shortly afterwards.

What happens when the human brain spirals, cutting a swath between a masterpiece and monstrosity? You’ll find out in early winter (estimated) when L. M. Labat’s The Sanguinarian Id goes live. I anticipate a cover image shortly.

Ditto for When Blood Reigns, sequel to Steel Rose. I don’t have a publishing date or estimated time yet. It has gone through developmental editing and should be worth the wait.

Tomorrow I’m heading to the Giant supermarket for the remaining groceries still on my list. This week presented a heavy grocery list, and crunch time for budgeting. Will I remember that when the Mylar balloons come calling? I’m going to try, but when the Mylar “I gotta” bug bites, look out.

Barbara Custer's Night to Dawn features vampire and zombie fictions.Allan Heller's 40 Frightened Flash Fictions features creepy zombie tales.

 

 

 

 

 

 

Barbara Custer's science fiction novel features a protag with "Infinite Sight."

Which Compound Words Confound You?

Barbara Custer writes horror and science fiction tales. She collects Mylar balloons, too.During my NTD edits, I find that about fifty percent of them involve compound words. This doesn’t surprise me because I, too, struggle with the proper spelling of compound and hyphenated words. Sometimes I check Google’s dictionary to get the correct spelling. I got to thinking that other writers might have issues with this, so I decided to take a closer look.

Chicago of Manual Style has rules to guide you, but alas, exceptions, too. It’s the exceptions that cause the most problems with the English language. For example, you should hyphenate adjectival phrases used before a noun. Examples: The distance to the hospital is a six-mile drive. The doctors made last-ditch efforts to save the patient.

But we’ve got an exception: I’ve had a 10 percent increase in balloons. “Percent” should be spelled out and not hyphenated.

Hyphenate compounds using “all” when they follow or precede a noun, says Chicago’s Manual. Example: The balloons that watch over me are all-knowing. But compounds with the word “fold” get spelled as one word, as in: My balloon collection has increased threefold during the last five years.

Exception: If the adjective using “fold” involves a figure, hyphenate. Example: The business realized a 20-fold increase in sales.

Words with “like” can be spelled solid. No exceptions. Examples: He’s got a childlike innocence. The balloons are lifelike figures.

Words beginning with “self” get hyphenated at all times. Example: She’s self-sufficient. He’s a self-serving man.

Proper nouns with “wide” get hyphenated. Other nouns do not. Example: The zombie infection spread Hospital-wide. But: The zombie infection also spread citywide.

“Light-headed” and “lighthearted” will get you every time. The first refers to a physical sensation (dizziness) and the second pertains to an emotion. Most other words involving “light” are open, as in “light pen;” the exceptions are “light-headed” and “light-rail.” When the word “light” is the last element in a compound, it’s spelled solid. Examples: flashlight, candlelight, etc.

Certain compounds can be spelled open or closed depending on the meaning. “Long distance” as a noun makes two words, but as an adjective gets spelled with a hyphen. Example: The balloon soared a long distance during the long-distance flight. “Back up” as a verb is two words, as in: I look carefully before I back up my car. As a noun, it’s one word, as in: I called for backup before I saw my patient.

Other compound words, having been used together for a long time, became spelled as one word, such as bloodstains, windowsill, fireman, postman, droplet, etc. I’m hoping one day that “balloon bed” will become a common enough term to be spelled as one word. Because there are so many exceptions, your best friends when it comes to spelling compound words are the Chicago of Manual Style and the dictionary.

So what compound words give you a challenge? I look forward to hearing your thoughts.

This futuristic Science Fiction novella was written by Barbara Custer.The Prodigy of St. Pete's is Michael De Stefano's coming of age novel.

 

How Much Do You Charge for an EBook?

Close Liaisons features Mylar balloons and science fiction by Barbara Custer

SF involving balloons and war $1.49

How much should you charge for your eBook? Some folks believe that charging $2.99 and less will result in more sales. The 99-cent novellas will make good publicity, an easy way to get to know an author’s style of writing. If nothing else, it will generate balloon money for the author and publisher. But I know of people who started out at $5.25 for their book, and when they lowered it to $2.99, sales tanked. What’s more, the lower price cut into their royalties.

Amazon likes to recommend prices when I upload Kindle books for myself or for NTD authors.  Basically, anything over $7 or under $3 won’t earn much. However, if you’re charging more for your eBook, you might want to run promos and specials where people can get the book for much less, thus meaning a larger audience. Many variables go into pricing and you might want to consider several things when you price your eBook, especially if you’re selling through multiple distributors.

  • The size of your eBook. If you’ve written a 10,000 word novelette, you’d charge much less than you would for your 80,000 opus magnum. It’s a matter of fairness. Why charge $4.99 for an eBook that would only have twenty pages in print form? It would be like charging someone $20.00 (the cost of a balloon bouquet) for one balloon. In tandem, consider your primary goals, that is, education versus entertainment. People will shell out more money for vital information, such as tips on winter driving and survival then they might for tales about Mylar balloon adventures.
  • Consider what other authors charge for the same size and genre. If you’re charging $10 for a 30,000 word zombie tale, but other authors are charging $1.99 for the same type of book, yours won’t sell many copies. If you’re only selling off your own website, you might have more leeway with price. My experience has been that most people prefer shopping through Amazon or Barnes & Noble over a private website. Why? If you shop on the NTD website, you’ll need a PayPal account, which requires a password. For that reason, I always provide links to Amazon, Smashwords, and Barnes & Noble. Most seller websites involve setting up an account and a password. It’s easier to remember one password (Amazon) than tracking different passwords for multiple websites.
  • What are your plans for your book? If your work is a 10,000-word novelette, it can serve as an intro to your larger, more expensive works. Most folks won’t mind shelling out 99 cents for such a story. Your book—and your ideas—will fall into more hands. If they like your work, you’ve got more potential buyers for your larger stories. If you don’t have a 99-cent eBook, you might want to create one. Your entry-level priced eBook will give readers a chance to know your work.
  • How large is your following? If you’re anything like Stephen King or Jonathan Maberry, your publisher might sell your eBooks for $10 each and more. That’s because both authors have dedicated fans who love their writing so much that they’ll gladly pay that to read their fiction. If you’re pitching to total strangers, they’ll balk, especially if they see other books of the same genre sell for $3.99.

You might consider having a list price but discount that price from time to time. This way, you’ll drive more interest in your books. No price is ever set in stone, and because the eBook world is constantly changing, you should evaluate your prices from time to time.

Your thoughts?

Blue Plate Special is zombie novel by Harold Kempka

Tidbits of horror for $2.99

Writer’s Trial: The Synopsis

Night to Dawn 27 features horror and zombie fiction by various authors.People have asked what I find most difficult about writing. Every job has an unpleasant aspect, and for me, writing the synopsis is the toughest. Basically, the synopsis is a summary of the story, or if you prefer, an outline in prose form. For a pantser like me, outlines and synopses can be particularly daunting. I’m getting to the end of reviewing the edits, making final tweaks, and putting together a synopsis for Blood Moon Rising. Meantime, another sequel is calling to me, pleading to be written, presenting an opportunity to write by the seat of my pants, suspended by Mylar balloons. Ah, but I’ve got to stick to the task at hand and quit daydreaming about balloons and what-might-be-next plots.

Why a synopsis? It gives a potential publisher an idea of what the story is about. Is it a story that interests the publisher enough to read the whole manuscript? Does it have a cohesive plot? The synopsis can answer those questions. I myself have requested synopses from authors before reading their books. The synopsis makes a handy-dandy tool when it comes to approaching reviewers. The shorter (maybe one to two pages) the better. It provides material that I might use to advertise the book on my website, or to send to people who are doing promos for the book. What’s more, it provides grist for a back cover blurb and later, a description which goes to Amazon and other distributors. These last pieces of wisdom were whispered to me by my Mylar balloons when I started grousing that the task was oh, so hard.

Writer’s Digest has some good articles on writing synopses. A writer buddy suggested I start with a short back cover blurb and highlight the scenes from there. I’ve gotten a few days off from work which I have in mind to make a serious dent in the synopsis project, among other things. First, I’m getting some fortification from my Mylar balloons. I’m hiring Gemini Wordsmiths for an edit. And after the deed is done, I’ll reward myself by reading Stephen King’s Revival.  Your thoughts?

Horror fiction by Kevin Doyle involving feral children

Wintertime Blues

Barbara's loyal balloons guide her with writing.

The balloons help energize Barbara.

Do you struggle with wintertime blues? I know I do as the days get shorter. I went to a condo homeowner’s association meeting last night and sat in a chair prepared to listen and take notes. Instead, I nodded off to sleep during a good part of the meeting. No one chatted about Mylar balloons, nor did I regale anyone with my latest balloon adventure at the Giant and Acme supermarkets. No seminars on writing techniques or opportunities to get a critique on my WIP. Instead, the conversation centered over graphs, numbers, and charts as the Board discussed the upcoming 2015 budget. Every so often, tempers exploded over some imaginary error a Board member committed. I frankly felt that the Board members deserved serious balloons!

What’s more, the meeting room was cold, enough to necessitate my sweater and winter coat. I suspect the people in charge dropped the temperatures so that the attendees would stay awake and pay attention. Their actions had the opposite effect on me. Cold drains my energy, and during winter I need an average of nine hours of sleep each night. I do my best writing and meeting attendance on my “off” days from work when I’m rested. During the winter, I’m more liable to sleep through a meeting. Come spring, I’ll have more energy for meetings and the like. My doctors mention seasonal affective disorder, but I think of it as the wintertime blues.

Last year, when I worked under a deadline during the winter, I made the writing my first priority when I get home from work, while I still had energy left. I need to start doing that again. Then after seven, I can go through my email, wrestle with my balloons, or browse the online shops. Buying a Mylar balloon should help my energy stores, too.

Do you struggle with the wintertime blues? How does it affect your writing and other activities? What helps you shore up energy during the cold winter? I look forward to hearing your thoughts on this.

Here There Be Skeletons

This anthology features zombie and revenant tales by Barbara Custer.At the bottom of my fascination with zombies, revenants, and evil aliens lies a terror of human skeletons. Every writer fears something, a “demon” that drives their stories. Some people dread the site of fire; for others it’s the Great White. For me, the sight of a skeleton, particularly one with debris on it, will send me burrowing inside a bouquet of Mylar balloons.

Why? I think my dread of skeletons started with my trip to Atlantic City that I described in my Night to Dawn blog. The mummy’s parchment dry skin literally hugged her bones. Not a shred of fat or muscle. My skeleton terror accompanied me everywhere I went.

For example, at age thirty, I underwent three knee surgeries, necessitating frequent visits to an orthopedist’s office, where the skeleton became a teaching tool. But I wasn’t interested in any anatomy lessons. Instead, I covered the bones with my coat, sweater, and sometimes a sheet if one was available. My orthopedist Dr. Hill asked one day why I covered his skeletons. Blushing, I yanked the sheet off the bones. My quick movement jarred the head, causing it to snap off the body, land on the floor, and roll like a bowling ball down the hall.

Dr. Hill stood there and laughed. He wisely sent me to another room for future checkups.

At the time, I went to school at night, and one of the instructors held her class inside an anatomy lab equipped with a human skeleton. Spooked, I draped my coat and scarf over the bones for every lesson. A creative writer, my instructor encouraged me to channel my fear into a horror fiction tale. You’ll find plenty of skeletons in Twilight Healer, Steel Rose, and City of Brotherly Death. Ditto for the sequels to Steel Rose.

So what’s your personal demon? Which monster motivates you to write horror fiction? I look forward to hearing about your experiences.

I’m offering a signed copy of Steel Rose (first prize) and copy of Night to Dawn 26 (second prize) to a random commenter. Overseas winners will receive Starbucks gift cards and PDF copies.

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