Category: Writing

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Horror, Balloons, and Chekhov’s Gun

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One of the most frequent questions I get from people is, “How can an innocent person who loves balloons write such graphic horror?” I’ve heard it from other writers, my buddies, and sometimes reviewers. So how can I write graphic horror? Balloons and horror fiction go together like spaghetti and meatballs.

Think of Pennywise the clown in Stephen King’s It. It had a lot of balloon scenes and King wasn’t trying to be cute. Pennywise lured his victims by popping through the gutter, brandishing a bouquet of balloons. “C’mon, Bucko. Don’t you want a balloon?” he’d ask his victim Georgie in a leering voice. “When you’re down here with me, Georgie, you’ll float, too.”

Jonathan Maberry’s book, Fire & Ash, features a scene where a character was getting bored blowing up balloons. I remember smiling until I found out the purpose of those balloons. They had a darn good reason being in the story. I don’t want to say more lest I give away spoilers.

Steel Rose has a balloon scene…or two. The balloons enable us to know Yeron better and how helium will affect people like him. I guarantee you that the helium from a balloon will poison someone later in the story. Ditto for “Echoes of a Distant World” in the Alien World anthology Tom Johnson and I cooked up. Why? Because the helium in the balloons are deadly to the alien attackers. You can also find balloon scenes in City of Brotherly Death (“Darkness Rising”). The balloons symbolized the protag Brianna’s humanity. Much as I like balloons, I would not use them in my tales without a reason.

Why? Because of Chekhov’s gun. I learned about Chekhov’s gun at the first writer’s conference I attended, and that information has stayed with me. Chekhov suggests that if you introduce a loaded gun on stage during the first act of your play, the gun should be fired during a later act. Otherwise, the gun shouldn’t be shown at all. Basically, he’s warning the writer not to put too much emphasis on unnecessary details. You can have guns, knives, balloons, or any other object, but they had better go into action before the story ends.

I’d also like to mention the MacGuffin. The MacGuffin is a goal, object, or person that motivates the protagonist in the beginning of the story, but becomes less important as the struggles play out. In It, Bill Denbrough decides to battle the monster that killed his brother Georgie, but as the battles continue, and the characters mature, Georgie’s death starts to fade into the background. If you’re not sure of your ending, you can use the MacGuffin to create a delightful story. But the Chekhov’s gun can be tricky. After you’ve finished your draft, go through it for any Chekhov’s guns, in case something you focused on turns out to be unimportant. Ask yourself, will the details advance your plot or tell us something about your characters?

Do you use the Chekhov’s gun and MacGuffin in your writing? How has these techniques influenced your tales?

Barbara Custer loves her Mylar balloons and zombie fiction.

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Joseph Spencer’s Inspiration for Wrage

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Joseph Spencer's Wrage features crime fiction.I’ve written a lot about the influences that mythology, religion, and historical lore have had on the supernatural aspect of my Sons of Darkness series books Grim and Wrage, so I thought I’d touch on the crime aspects of the novels and their influences today. There are parallel threads running in both books. There are events occurring in the supernatural realm which affect the afterlife and there are events which affect everyday life in Prairieville. The supernatural realm and the realm of men have become interconnected thanks in large part to the corruption in Prairieville caused by the influence of organized crime.

Though I’ve read a lot of crime fiction and it’s one of my favorite genres, I’ve gathered part of my inspiration for the characters which work for the Prairieville Police Department from my real life experiences. I work as a manager at a 9-1-1 emergency communications center for my full-time job, so I work alongside police officers every day. My center handles between 300 to 400 9-1-1 calls on a daily basis and even more non-emergency calls. Our job is to gather information such as location, types of crimes being committed, description of victims and suspects, description of the direction these suspects are travelling away from the scene of the crime, a medical disposition for those who are injured and any officer safety information such as weapons being used by suspects. After we’ve gathered that information, we relay it to police officers, firefighters and paramedics on the radio to respond to the scene of active and previous crimes.

The experience I’ve gained in public safety has helped to humanize these responders and given me a window into their personalities when I’m working on character development for my novels. Over the course of my five-year career, I’ve dealt with calls reporting to suicides, bridge jumpers, homicides, bank robberies, fatal fires, fatal car accidents, airplane crashes and almost any situation you can imagine. I’ve also had front-row access to see how people are first on scene at some of these tragic events handle the situation. In my experience, most of the public lauds these responders as heroes and rightfully so. But there’s more to their stories, and that’s what I try to capture when I create that sort of character. The stresses of the job are difficult to handle, and that’s resulted in some of the gallows-type humor I’ve incorporated in Grim and Wrage. That’s why some of the characters are heavy drinkers or womanizers. It’s a release from the pressures and stress of a stressful job which I’ve observed.

Another advantage to working in the public safety sector is that it allows me to become familiar with jargon and procedures used by police, fire and ambulance personnel. Did you know officers have specific radio codes to let each other know there’s a suspect armed with a gun or a business has received a bomb threat? Unlike what the movies and television shows would have you believe, you can report someone missing without waiting 24 hours. Did you know that when a fire department refers to a RIT team that it’s a specially-designated group called a Rapid Intervention Team with the sole purpose of evacuating fire personnel in case there’s some sort of accident while fighting a fire? These are all intricate details that I try to weave into my writing to add some authenticity.

Organized crime is another prominent aspect featured in Grim and Wrage. Even though most communities don’t have larger than life villains like the ones featured in my books or in movies like The Godfather, organized crime is still a pervasive problem in our society. Gangs traffic people, weapons and drugs every day, and I didn’t fully realize the severity of the problem until I worked in public safety. That’s why I chose to make gangsters such an integral part of the decay of Prairieville. I think gangs plague their surroundings wherever they are allowed to gain a foothold.

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Joseph Spencer's Wrage features crime fiction.Blurb:  

Sometimes the toughest fight lies within yourself.

As more dark secrets come to light, the battle for souls pushes Prairieville to the brink of war in the living and supernatural realms.

Jeff Wrage swears a blood oath to Abaddon, the supernatural avenger of murder victims, to hunt the crooked cop who butchered his wife. Jeff wonders whether he can be the executioner Abaddon requires. Their pact throws the supernatural realm in chaos and threatens to trigger an apocalyptic fight for control of the afterlife between the Sons of Darkness and Sons of Light foretold in the Dead Sea Scrolls.

Orlando Marino sees the death of Cyrus Black as his opportunity to restore the Marino family’s stronghold in Prairieville’s organized crime scene and become a mob kingpin. He unleashes a plague, turning its victims into mindless followers. Cyrus’ heir is busy rooting out a traitor and is unable to stop the coming turf war in the realm of man.

The fate of all rests with Homicide Detective Anna Duke, who steps into the shoes of her mentor while coming to terms with unrequited love. As she tries to clear the fallen hero’s name, she takes on a case where corpses go missing. Her new partner is reported dead. She learns the truth about her true identity and uncovers a trail of secrets questioning her tragic past. She journeys to avert the destruction of all creation.

Joseph Spencer's Wrage features crime fiction.Author Information:

As a boy, Joseph Spencer immersed himself in the deductive logic of Sherlock Holmes, the heroic crime fighting of Batman and Spider-Man, and a taste for the tragic with dramas from poets like Shakespeare and Homer.

Before Joseph took to spinning his own tales, he pursued a career in print sports journalism, graduating summa cum laude from Southern Illinois University-Carbondale. He covered such events as NASCAR’s Subway 500 race in Martinsville, the NBA Draft Camp in Chicago, the Junior College World Series, and Minor League Baseball’s Midwest League All-Star Game during a ten-year career throughout the Midwest. Now, he works as an emergency telecommunications specialist with an Illinois police department. The combination of years of writing experience with a background working with law enforcement professionals gave rise to his writing aspirations.

Joseph was married to Dr. Amy (Waggoner) Spencer, an accomplished veterinary doctor, on March 14, 2012. He received word his debut novel was accepted by his publisher, Damnation Books, the next day. Joseph is hard at work on the rest of the series. Book 2 – Wrage – was released June 1, 2013.  The Spencer family enjoys reading Charlaine Harris, George R.R. Martin, Mary Janice Davidson, and most paranormal stories. The Spencers also enjoy quoting movie lines from “The Princess Bride”, “Rain Man”, “Bridesmaids”, and “Office Space.”

Twitter Link: https://twitter.com/josephspencer00

Facebook Link: https://www.facebook.com/joe.spencer3

Goodreads Link: http://www.goodreads.com/user/show/7881659-joe-spencer

Book Video Links:

http://www.youtube.com/watch?v=wJMdOhL-Qrg  (Grim trailer)
http://www.youtube.com/watch?v=j3Z-ECZw3AE  (Wrage trailer)

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Joseph will be awarding a $25 Starbucks gift certificate to a randomly drawn commenter during the tour.

Joseph Spencer's Wrage features Crime Fiction.Excerpt:

Thunderclaps from high above jolted Jeff out of his slumber.

Something hard and cold with jagged edges pressed into his back.

When he tried to move, iron shackles strained against the skin of his arms and legs. Chained to a rock in a dry stream bed, he knew he’d become a helpless prisoner who could do nothing more than wait for his captor. Stormy skies threatened from directly above him with bright flares of lightning snaking among sooty clouds and disappearing. Out of the corner of his eye, he could detect that the sun was shining brightly on the other side of the rock.

Scant rays of brilliant sunshine peeked over the rock, reflecting bright light off a magnificent golden shrine on a bank not far from where he was chained.

This can’t be real. He’d never seen a place like this in his life.

Large wet drops crashed against his skin. The coolness of the rain streaking down his body caused steam to rise from his skin, which he noticed had turned a dark shade of crimson. The only being this red was….

“Lucifer,” a calm voice echoed from above Jeff on the shoreline.

A giant, dressed in white armor sparkling like diamonds in the spare sunlight, stepped into view. He wielded a golden-hilted silver sword in one hand and a silver shield with the Latin inscription “Quis ut Deus” (I am like God) on the front in the other hand. He loomed above Jeff. A large gold cross ran down the center of the giant’s breastplate. A second inlaid golden cross glinted at the center of his white helmet. The helmet obscured his face, save for flawless ivory skin which radiated a blinding light. There was something across his back casting a large shadow, but Jeff couldn’t see what it was.

“You were thinking of Lucifer, whose skin is often portrayed as red,” the giant said. The ivory giant stepped into full view. From his back a pair of massive wings spanned over ten feet wide and five feet long majestically fluttering in the breeze, yet didn’t cast a shadow. The rain pelting Jeff in the eyes didn’t touch this giant. He certainly was no man. The only thing Jeff could compare it to would be—

“An angel,” the giant completed Jeff’s sentence again. “You are correct.”

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JoAnna Senger’s Thoughts on Writing

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Around the age of four, I fell in love with the letters of the alphabet. Following the philosophy of the day, my parents would not teach me to read but spent dutiful hours reading to me. The letter “y” and the “w” with all its syllables sounded so exotic. I would hear my parents spell out words (y-e-s spells “yes”), but I didn’t know which of the squiggles in my books was a “y” or a “w.” Fascinating and frustrating.

Then…school! I remember being so surprised at the appearance of a “y.” What a disappointing letter! It was squat and had an appendage hanging down below the line. I thought it should look more like a “b” or a “d.” As time went on, I got used to its appearance and forgave the “y” for laying down on the job, so to speak. I learned all my letters. Letters began to make words, words became stories, and then teachers were asking me to write!

Was I a big girl or what?!

Since those grade school days, I have written skits, essays, stories, policies and procedures, legal documents, books, anything else assigned to me, and other stuff just for fun.

Writing is so self-indulgent that I often wonder why everyone doesn’t spend their free time with a pen in hand (or a keyboard at their fingers). Don’t like someone? Bump them off. Someone is a pompous jerk? Hold them up to ridicule. Spouse is an affront to the human race? Take a lover…between the pages.

Finally, serious fiction called to me. At least, I was serious about writing it, primarily mysteries and horror. Distinct genres in the bookstores, they are just slants on real life as far as I am concerned. Mysteries have entertained me all my reading life, so I try to return the favor. The analyst in me loves the precision of mystery plot development, clues appearing all along the way but in a manner to elude or mislead the reader. The clues have to be there, the author must play fair. Without the clues, the book becomes crime detection, another entertaining genre but not a mystery. I particularly like mysteries in which the reader figures out “who dun it” but the characters don’t, plodding on in dull ignorance of the carnage all around them.

Like garlic, horror is a strong flavor best introduced slowly until the reader is saturated with its odor. Of all the literary genres, horror has the most difficulty in achieving respectability, yet its power is the least diminished over time. Only the romance is as enduring. The fear of darkness, the sinking despair of betrayal, the panic of confinement and torture, the irresistible urge to open the locked door, these are all horror literary devices and still effective when done skillfully.

I prefer horror which is just one step outside of daily life, a small but jarring detail only slightly out of place, like a piece of glass in your ice cream cone. Oh well, remove it and keep on eating. Licking. Enjoying all that creamy coldness until you find another piece of glass, and this one cuts. You look around and everyone in the ice cream parlor is looking at you, and all of them are bleeding from the mouth. And smiling.

You get the idea.

Regardless of what we write or how we write it, those words on paper are our ticket to the grand show: the unbroken human story-telling tradition that began on cave walls, got chiseled into stone tablets, engraved and painted on pyramid chambers, copied laboriously by armies of scribes and monks, and now flies through the ether according to physical principles that most of us poorly understand if we understand them at all.

Why do we do it? Paid or not, published or not, successful or not, we just want to tell a story. It’s the story that matters, not the method or the language or even the writer.

And we all know it.

JoAnna Senger

Blurb: Betrothal, Betrayal, and Blood, a dark murder mystery, reflects bits and pieces of people and places that have crossed her path.  Barbara Custer, Publisher, Night to Dawn Magazines and Books, has published a number of JoAnna’s short stories including the Bodies Day & Night series (about a vampire run athletic club) and The Pet Door series (about a portal to some other world for pets and some unimaginables.

How does a small, self-contained city react to a brutal murder in its only tourist attraction? Hush it up? Blame an unknown outsider? Find a scapegoat?

Then what?

Ask Karl Kelly and Vito Kostowki, San Tobino detectives baffled by the outrageous murders of various visitors to Milady’s Manor: nothing taken, nothing left behind, unrelated victims, no clues.

Milady’s Manor puts San Tobino on the map due to its 200 rooms each lavishly decorated according to a unique theme.

But what if tourists stop coming?

 

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The Genesis of Tom Johnson’s Three Go Back

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Most of my life I’ve had a deep interest in paleontology and entomology. In school, while we were reading Shakespeare, I was thinking about bugs. During History class, I wondered what new discovery was being uncovered in fossil beds around the world. The only reason I passed History in the ninth grade was due to my artistic talent at the time. The teacher asked me to draw Hannibal crossing the Alps with his elephants.

I wanted to write as far back as age ten, when I wrote a comic book story. Of course, it was terrible, but the fire was there. Then about age 25 I started creating plots and characters, and putting them on paper. The stories involved animals. One plot eventually became the Jur series several years later. I was living my dream and creating stories to be read.

One of my favorite comic strips is Luann. While reading the strip one day, I began wondering why that evil little Elvis guy doesn’t hire a scientist to build a time machine, and accidentally send Luann and her girlfriends, Delta and Bernice, back in time. Then someone could go after them. Well, I figured that would never happen, but I liked the idea. I started thinking about writing it myself, only not with Luann and her friends, but with girls in their mold.

Thus, Three Go Back was conceived. I set my tale in the future, where teleport machines became the common transportation system. My problem was coming up with the time machine angle for the story. Okay, so what if my characters were teleporting at the same time a magnetic solar flare struck the planet, burning out the teleport circuits, and turning it into a time machine? Bang. That became my gimmick.

With the use of those concepts, my story almost wrote itself. My big problem was finding a publisher. You see, I used scientific names for the animals they encounter in their journey back through time. Publishers told me they would never find an editor who knew if the names were real, misspelled, or in the correct time period. They kindly but firmly rejected the story. I sent a proposal to Barbara Custer at Night to Dawn, who knew my background in prehistoric animal life and my extensive study on the subject. She took a chance. Actually, anyone with a computer can type the names I use and do a Google search, and it will show the data on any creature. But I understood the publishers’ decision to reject the book because of the editing difficulties. It can add a lot of work to an editor’s already hectic job. You do come upon variation of names, which can confuse you.

I live in the Permian Basin of Texas, which is an area rich in Permian fossils. The Permian Period in our prehistory was over 250 million years ago, or roughly 60 million years before the dinosaurs, so this area is famous for reptiles and amphibians. The Craddock Redbeds is an important dig in our area, and Dr. Bakkar, a famous paleontologist, brings a team up from the Houston Museum of Natural Sciences every year. Our town Seymour has a reptile/amphibian named after it – the Seymouria. So my childhood was drawn towards the study, and that’s why I write so much about prehistoric life. They do say to write what you know and love.

Besides Three Go Back and other novels set in prehistoric times, I write action and adventure novels in the tradition of the pulp magazines of the 1930s and ‘40s, a period I also love. My interest varies from western to detective and spaceships. Whether in the far-flung galactic worlds of the future or the eons in our past, to the modern-day mystery, I love the written word and enjoy telling a story. I hope you will read my stories and I’m sure you will see that love I project into my characters.

Blurb:

When their teleport vehicle malfunctions, becoming a time machine, it sends three young girls back in time on a journey of discovery they never expected. From the Ice Age through the Cretaceous, Permian, Carboniferous, and finally to the beginning of the Earth’s evolution of life, they experience their world’s prehistoric past in all its splendor and terror, coming away with the joy of knowledge and adventure!

Biography and Links:

I was born in 1940, going through elementary schools in Seymour and Wichita Falls, Texas. My dad was a cowboy and cook, and often worked at each profession, which required a lot of moves. He wanted me to follow in his footsteps, but I had more of a studious nature and didn’t want to spend my life on farms and ranches. I was different from most kids my age; I didn’t want to be a cowboy and never liked riding horses. My family lived something of an itinerant’s lifestyle, and we never stayed in one place long enough for me to develop friendships. In high school I worked on the ranch my dad was foreman of while other students my age were dating.

When I turned 18, I joined the Army as an MP and was off to see the world, never regretting my decision to leave the life my family had. I had some pretty good assignments, such as a three-year tour in France. Then I spent one year patrolling the DMZ between North and South Korea under fire and 13 months in Vietnam. But I did enjoy my twenty years as a military cop and took some college courses in the process.

After retirement, my wife, Ginger and I started Fading Shadows, a small press imprint. We published a hobby magazine, Echoes, for the next twenty years, as well as half a dozen genre fiction titles, which refired my interest in writing.

Today I leave the publishing for others and continue my love of writing. It has been a good life, and I in no way degrade those men and women on ranches and farms. It just wasn’t a life for me.

Blog http://jurnovels.blogspot.com

Blog http://pulplair.blogspot.com

Tom’s Amazon Page http://www.amazon.com/-/e/B008MM81CM

 

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Further on Rod Marsden’s Desk Job

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Desk Job features dark fantasy by Rod Marsden.

A satire on office politics

I hate injustice especially when it is disguised as fair play. At the time I was looking for inspiration to start a new book a news report on television caught my attention. A new wave of political correctness was in the planning stage. Political correctness, especially in the office, bugs me. Hence the giant praying mantis menacing a computer jockey on the cover of Desk Job. Like Lewis Carroll and Terry Pratchett, I use symbolism and metaphor to reveal the darker, weirder and more fascinating elements of life as I know it. Fear created by censorship inspired by political correctness is at the heart of why the office where Desk Job mainly takes place is so dysfunction. I have worked in offices not far removed from the office in my novel.

I do most of my rough first draft writing on the train. I edit at home on my P.C. Since I do a lot of travelling for my current job as a researcher for public transportation, this works out fine.

I don’t expect to get everything right with the first draft. If I did then I suspect the work, whether short story or novel, would lack inspiration and the kind of flavor that makes for a good read. It is okay to let your id free to play with ideas in the early stages of any kind of writing. You can edit out the accrued garbage in subsequent drafts. Also the ending you originally have in mind is often not the ending you arrive at. You get to know and develop your characters as you write and this can result in your muse finding a more suitable if not a more fun conclusion.

I get my ideas from life. I always have pen and paper handy when I’m travelling. You never know who you are going to meet on the train or how they will inspire you. I also read a lot. I try to get in a couple of factual books a year along with the novels I absorb. Even a bad author can teach you something about writing. There’s the question of why you have decided that he or she isn’t very good.

I have a novel in mind that will deal with a common fear. A man has just won a fortune but his past is about to catch up to him. Will it be flight or fight? It’s presently titled Cold Water Conscience. No plans to imbue it with fantasy elements like my other novels. It will be stark and compelling.

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BIOGRAPHY:

Rod Marsden was born in Sydney, Australia. He has three degrees; all related to writing and to history. His stories have been published in Australia, England, Russia and the USA. He has worked in the American anthology Cats Do it Better. Many of his short stories have been published in Night to Dawn magazine. Undead Reb Down Under and Other Vampire Stories is a collection of his short fiction on vampirism. His novel Disco Evil: Dead Man’s Stand is his first venture into the vampire novel. Ghost Dance is his first undertaking into dark fantasy involving a quest. Desk Job is a first in that it is his salute to Lewis Carroll and it is also his initial surrealist novel. He is no stranger to controversy and much of his writing is purposely as well as purposefully politically incorrect. He prefers truth and integrity over the lies and half-truths we are so often inundated with. Thus his work has a certain honesty about the times we are living in that may not be found elsewhere.

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Buy Links:

Amazon: http://www.amazon.com/Desk-Job-Office-land-Rod-Marsden/dp/1937769143/ref=sr_1_5?s=books&ie=UTF8&qid=1376845126&sr=1-5&keywords=Desk+Job

Smashwords: https://www.smashwords.com/books/view/178806

Nook Books: http://www.barnesandnoble.com/w/desk-job-rod-marsden/1111866050?ean=2940044699878

 

 

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Where Gregory Delaurentis, Author of Cover of Darkness, Gets his Ideas

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WHERE DO IDEAS COME FROM? 

Ideas can come from anywhere at any time. I like it best when they come from the source, which to me is reality. I am so open to different situations and encounters that I carry a tiny Moleskine book on me at all times. If something happens or a phrase is stated, I jot it down quickly for inclusion somewhere in some book. I am a keen observer of reality and this is the reason why. I don’t want to miss anything. Many times when I see things occurring I write the scene in my head, hopefully sharpening my skills.

The last place that I like to get ideas from is from the work of others. That means television and books. Many times I learn what not to do from these sources, or how to do them differently. I think that in most television shows, although appearing original, as well as some books, they are filled with the same canned experiences and situations. This is regrettable because there are so many good ideas in the beginning but it’s obvious that the writers have nowhere to go but to trudge out the same swill that they either are comfortable with or have seen in some other show or work.

Still, the purest of ideas come from life and a writer’s experience going through life. That’s what makes us all unique, and that’s why there is so much variety in books, because we bring our individuality to the table and present it between the pages.

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BLURB:  

A high profile murder of a Wall Street executive in Westchester pits three people against the criminal underbelly of Manhattan nightlife. The key players are two ex-cops turned private investigators—Kevin Whitehouse, whose sharpest tool is his keen analytical mind, and David Allerton, a former Special Forces operative—and Margaret Alexander, Kevin’s lover. In their search for a killer, they are forced to travel to the edge of sanity and morality, while stumbling onto their own confusing secrets as well. The Cover of Darkness is a gritty noir saga that untangles a web of deceit in the course of tracking down a brutal murderer.

EXCERPT:

David stopped pacing, and then started working on a rock embedded in the dirt with the toe of his shoe. “I wonder why MacDonald didn’t say anything in the interview about the cops being present. He should have told us that there were cops in the Midnight for protection—making sure the dealers were selling and not using.”

“Maybe,” Kevin ventured, “he didn’t want to drop a dime on his cop friends. Maybe he was frightened.”

“Maybe. That would have helped us a lot,” David said, his eye caught by a shapely girl on a bike riding nearby.

Margaret sat up. “That would also explain how the killer got past the gate and simply walked into the house. He could have been flashing a badge.”

“That makes some sense,” Kevin said. “And certainly cops can kill.”

“They make the best assassins, don’t they?” David quipped.

“So now this is a cop hunt?” Kevin asked.

“I would rather it end here, guys,” Margaret said.

David approached the two and stood over them. “The question is now how to hunt the most dangerous thing in New York. Crossing the thin blue line is not going to be fun or easy.”

“Fun?” Margaret said. “It’s downright dangerous.”

“We can’t go to Ferryman and Reynolds,” Kevin said, nervously running his fingers through his hair, and retrieving his arm from around Margaret as he sat up. “They’ll only go on the defensive. And if the case starts turning in that direction, they’ll only deflect it.”

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AUTHOR INFORMATION:

Gregory Delaurentis spent his adult life roaming from job to job, working for Lockheed in California, various law firms in New York, and financial firms on Wall Street. Throughout this period of time, he was writing—unceasingly—finally producing a large body of work, albeit unrecognized and unpublished . . . until now. Cover of Darkness is the first in a series of upcoming books that include Edge of Darkness, Pale of Darkness and Cries of Darkness. These novels follow the lives of three individuals who do battle bringing criminals to justice, while they struggle to understand the complex relationships that exist among themselves. This intriguing trio has absorbed the attention of Mr. Delaurentis for the past year and a half, so much so he decided to self-publish their stories to bring them to a wider audience. [AUTHOR’S DISCLAIMER: These are works of fiction. Name, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.]

VENDOR LINKS

1) AMAZON  http://www.amazon.com/Cover-Darkness-1-Gregory-Delaurentis/dp/0989185702/ref=sr_1_1?s=books&ie=UTF8&qid=1365639244&sr=1-1&keywords=cover+of+darkness+gregory+delaurentis
2) KOBO  http://www.kobobooks.com/ebook/Cover-of-Darkness/book-SydhWnuMdEGT2jO97s6rDA/page1.html?s=znZMkhZzw0yjFAMp-WIkpQ&r=1
3) BARNES & NOBLE http://www.barnesandnoble.com/w/cover-of-darkness-gregory-delaurentis/1115107265?ean=9780989185707
4) SMASHWORDS  https://www.smashwords.com/books/view/304457

GENERAL LINKS 

https://www.facebook.com/pages/Cover-of-Darkness/435819953132527
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https://twitter.com/cupgrease

http://gregorydelaurentis.blogspot.com/

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