Gemini Wordsmiths completed the developmental edit on Blood Moon Rising, the sequel for Steel Rose, and the edits needed are extensive. Many of the fixes involve point of view, repetitive words or phrases, and inconsistencies in the plot. Better that these problems are caught now when I can fix them rather than having a reviewer call them out on her blog later. Yay, Gemini Wordsmiths! All the same, it’s taken several Mylar balloon acquisitions to fortify me for the work needed.
Most of the fixes are easy, and my editors have been patient with my questions. Some things I’m finding out I can look for when revising before sending to an editor. I’ve been struggling with repetition, clichés not so much, but I have seen clichés on others’ manuscripts. Solution: Prowriting Aid. I’ve found Prowriting to be a useful tool for winnowing out clichés, redundancies, and repetitive verbs and phrases. In this way, it works as a second pair of eyes. I regret not using Prowriting for Blood Moon Rising. Live and learn.
The Prowriting Aid didn’t help with the POV problems, however. I’ve noticed POV inconsistencies on other people’s manuscripts, too, problems similar to what you see in the following paragraph.
A bouquet of six Mylar butterflies, a rainbow assortment of red, greens, blues, and purples, called to Cassandra from the display stand. The soft shushing sounds they made when she ran her fingers through them brought a smile to her face. She just had to have them. The cashier, upon hearing the balloon sounds, called out, “Can I help you?”
That last sentence is a no-no because we’re in Cassandra’s head. So how would she know what the cashier heard? A better way to word that last sentence might be: The cashier’s voice impinged on her thoughts. “Can I help you?” he asked.
I can resolve most POV issues without making major structural changes. The plot flaws require more work, the guidance of an editor, plus lots of Mylar balloons to get me through a tough chore. Many of my plot inconsistencies happened in the second half of the book. The first half got evaluated, rewritten, and evaluated again through writers’ conferences, etc. and thus saw editing done before Gemini Wordsmiths got the file. Not so for the second half. If I had my do-overs, I would have completed the first draft before attempting any revisions like the pros recommended. Instead, I wrote two chapters, edited them, moved on to the third and fourth chapters, edited again, and so forth.
I’d like to recommend a blog “10 Words to Search For,” which helped me cut the fat in my manuscripts. Juliet Madison suggested ditching words like very, just, almost, began, and start. I did a Word Search and Find, which enabled me to substitute the word with something better or ditch altogether. The plot issues are the hardest to fix, because even in a horror or SF novel, the world has to stay consistent. The characters should act consistently, too; if not, then I’d better come up with a good reason for the aberration in behavior.
So…what do you find most difficult about revising a manuscript? How do you get through the tougher edits? Do you use any shortcuts for self-editing? I look forward to hearing your thoughts on this.
I’m offering a signed copy of Steel Rose (first prize) and copy of Night to Dawn 26 (second prize) to a random commenter. Overseas winners will receive Starbucks gift cards and PDF copies.
The good news is you learn with each one, and only get better as a writer. No worries! I felt stupid with my first one. I get more confident with each subsequent one.
Thanks for the prize opportunity. I’d love to win!
Enjoy the season and all the events!
Thanks, Jimmy. I appreciate the encouragement. 🙂
Barbara of the Balloons
Yes, edits can be a road. Great to have extra eyes on it and a good editor or editors to spot common or not so common opposies! Good article. Like cover.
In my case, Gemini Wordsmiths had two editors, so that meant two pair of eyes going through the book. All the better. Thanks.
Barbara of the Balloons 🙂
I do target the words listed. But my main methid is to read it out loud and keep reading it out loud to keep the flow and rythm of the tale. The ear catches many a clink and all the clunks.
I’ve heard a lot of folks mention that reading out loud can help to catch the chinks in the flow. Sometimes it also helps to put the manuscript down for a while then go back to it.
Barbara of the Balloons 🙂