Category: Publishing

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Grammarly: Taking the Plunge

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Blogs dedicated to the horror genre in keeping with Halloween. Prizes available!

Blogs dedicated to the horror genre in keeping with Halloween. Prizes available!

Rating: 4 Balloons

For some time I’d used the free version of Grammarly; it worked because I downloaded the software through Firefox. If you have Google Chrome or Firefox, you get a free version. On Internet Explorer, you pay from the get-go. Between editing of NTD tales and my work in progress, Grammarly was fixing my punctuation and misspelling if I uploaded the document. Well, lo and behold, I got a series of emails from Grammarly complimenting me on my dedication as a writer and publisher. They then offered me the premium version for a discount. The premium version will help you with word choice, line editing, and plagiarism. What’s more, they’re excellent at catching repetitive words and phrases, something I’m prone to doing; they’ll even suggest better word choices.

How much do all these goodies cost? Twenty-nine dollars a month, $59.95 if you pay quarterly, or $139.95 for an annual payment. I shied away from premium because I couldn’t ante up that much money, but Grammarly wooed me with a good discount for a year membership. I decided to run with it.

WhenBloodReigns_150dpi_eBook

Coming in December!

All up, I’m glad I did it. Grammarly has worked beautifully for my magazine stories. I’ve caught a lot of inconsistent spelling and preposition choices that my 61-year-eyes might have overlooked. For those of you who follow me, notice that many of my Facebook posts have gotten cleaner, except when I dictate posts from my iPhone. As for When Blood Reigns, Grammarly came in handy after I reviewed the changes made after a developmental edit by Gemini Wordsmiths, for it’s easy to introduce new typos when you’re cleaning up an edit. As promised, it has caught my repetitive words and offered suggestions that worked. What’s more, it’s great at finding those easily overlooked words like “the” and “a/an.”

So why am I only giving Grammarly four balloons instead of five? I found some limitations, too –ones I could live with but they are there. When I ran the plagiarism checker, I found that most items that came up were common expressions the story characters uses that were also written in another journal. For example, one character said, “the radio was left running.” Most people in my town might say that if someone forgot to turn off the radio. Also, if I’m editing a story where the characters use slang or words with British spelling, Grammarly will underline, and you either suggest “add to dictionary” or ignore. With fiction writing, there’s a time to bend the grammar rules, and Grammarly doesn’t get that because it focuses on formal writing.

That said, I’d recommend giving Grammarly a try, but go with the free version first. A test run will help you decide if this software is right for you.

Have you tried Grammarly? I’d like to hear about your experiences with it.

Clarissa Johal

Addendum:

Today I received the following email from Grammarly to clarify the use of Grammarly on Internet Explorer (to be fair I never tried using it myself on IE – I converted to Firefox before using Grammarly in earnest).

“I also wanted to point out some text in your article that sounds a little misleading. You wrote: “If you have Google Chrome or Firefox, you get a free version. On Internet Explorer, you pay from the get-go.” This isn’t accurate. Grammarly doesn’t have an IE browser app at this time, but we do offer a free online editor, downloadable desktop app, and Windows MS Office add-in, which people who prefer Internet Explorer can use instead. The Grammarly Premium upgrade is available for people to purchase regardless of what platform they use, but it’s never required.”

I’m also happy to include the link: https://www.grammarly.com

 

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Writing after a Loved One Dies

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Michael was very supportive of my writing endeavors.

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My family took the picture to the left a year before my husband Mike went into the nursing home. You hold onto the good days when you get them, and Christmas, 2009 was one of them. When he passed on January 29, the pain of losing him shot through my heart like an arrow. I wondered how this would affect my writing and other activities.

When my mother died in 1990, an instructor advised me to keep a daily journal. This journal evolved into fiction pieces, and months later, I submitted them for publication. In 1995, after my father died, I sat down and penned a short story in three hours. It got published within a week. Losing Mike has come with its own circumstances, though.

I seldom discussed Mike on social media, but if one wanted a true measure of my grief, they only had to look at my checkbook entries for March. I’ve had to scribble out and rewrite most of the entries, and it was hard to read what I’d written when I had to balance the checkbook. The writing dried up as well; I have written only two or three blogs during the last six months. It was like my internal gadget for blog making had gone into hibernation. As it was, the handling of Mike’s estate and increased need for sleep left no time for blogging. On my days off from work, I had numerous appointments lined up with the lawyer, the bank, insurance folks, etc. By 7:30 at night, I was ready for bed. Thankfully, I had previously pulled together Night to Dawn 29, and my authors have been understanding regarding other projects.

The story writing did a big slowdown, too. I’ve been trying to work on a sequel to When Blood Reigns, which should see a fall, 2016 release. I began writing it with visions of Alexis and Yeron setting up house and beating down the renegades. The thing was, when I attempted to write from Alexis’s point of view, I managed only a few paragraphs at a time. The appointments and the phone calls that came with them got in the way.

I found a lot of help from my writer’s support group in Hatboro and The Writers’ Coffeehouse. This has helped get the words moving. Night to Dawn 30 has gone together without a hitch; NTD released Sandy DeLuca’s Lupo Mannaro, and I’ve just released a new edition of Rod Marsden’s Ghost Dance. I will likely do a blog tour after my book When Blood Reigns goes live, so there should be more blogs coming.

The parade of Mylar balloons has grown, although the intense heat we have now has laid some to rest. At any supermarket, you’ll find a balloon or two trailing me to the cashier’s line. I tried getting around the writer’s block by introducing a new character into the book, one who likes balloons. She was supposed to be a secondary character, but … she’s taking over the book. When I work on a chapter that involves this character (she’s also dealing with grief), the words flow like balloons do toward me at the markets. Perhaps I am journalizing after all. In any case, I find myself jumping around and writing the material from her point of view. I anticipate completing this book, but it’s liable to turn out way different from what I had imagined.

This leaves me to wonder how grief affected other writers. Did you find yourself changing genres or going off on a different tangent? Did you keep a journal? I’d be interested in hearing your experiences.

Ghost dance, a horror tale written by Rod Marsden.

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And … There’s Grammarly!

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Mylar balloons and zombie fiction is Barbara's chief loves.I first heard about Grammarly a couple of years ago. It sounded like a great editing tool, but I couldn’t afford the fee required to use it. Let’s face it: I like Mylar balloons, and that fee might cut into my balloon fund; I couldn’t have that. I was using Internet Explorer, you see, which means that you can’t use any of Grammarly’s perks unless you’re willing to pay. My siblings use IE and warned me to steer clear of Chrome & Firefox several years ago after my laptop crashed, necessitating repairs over $500.

Trouble is, Night to Dawn requires me to edit, and I need to be able to do it well. Punctuation errors are the hardest things to find, and to be honest, I tend to be generous with commas. Spelling compound words have been an issue for me, too, as folks who’ve edited my manuscripts can attest. Then a few months ago, I read that Grammarly’s services were free if you used Firefox and Chrome. I really needed to use something, but I had tried Chrome and didn’t care for it. So I contacted my writer buddies at Caliburn Press, and no one there used Internet Explorer because it was too slow. The consensus was that Firefox had improved its security, and Chrome was ideal. After speaking with the tech that fixed my computer I went ahead and downloaded Firefox.

Grammarly came next. First up, Firefox is indeed faster than IE, and what’s more, I’m able to open legit attachments and photos easier. Heretofore, I used to complain that I had trouble opening attachments on IE. Sure enough, I was able to use Grammarly for basic editing on my Night to Dawn documents. There’s an add-in that you can download for Word. I couldn’t figure out how to load this add-in into Word, so I copied the contents of my document onto Grammarly directly, and this did the job. As for my online correspondence, Grammarly went ahead and cleaned up my posts afterward, including the ones on Facebook.

Up until now, I’ve been sloppy with my grammar on Facebook. On Facebook and other social media, I’m relaxed. I might daydream about my recent balloon purchase, planning my next, or admiring the Mylar butterflies in my living room. In any case, grammar goes by the wayside. But now Grammarly calls me on these lapses with the offending phrases underlined in red. Caveat: sometimes the grammar you set up is legit when you’re stressing a certain point, or if your story characters speak in dialect. In that case, you do have the option to select “ignore” when Grammarly red-lines you.

Night to Dawn authors reading this might wonder if this means more red ink on their manuscripts. Not necessarily. For one thing, Grammarly won’t work if you’re doing track changes. Too, sometimes I’ll ask for mini-rewrites if I think a scene won’t work. My thinking is that it’s best to use Grammarly for polishing after the author turns in edits. The charge for Grammarly’s still applies for the premium version, in which you get plagiarism detection, tweaking of vocabulary, and other goodies. I may consider using the premium version of Grammarly for editing the next NTD novel, but I have other resources I can use. There is that Mylar balloon fund to think about.

Your thoughts?

Sandy DeLuca's Lupo Mannaro features werewolves and dark fantasy.

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A look at Createspace, Lulu, and Lightning Source

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Steel Rose is an unholy matrimony of zombie fiction and horror fiction by Barbara Custer.

Recently my writer buddies and I had a lengthy discussion about the best way to publish a book. Some went for Lightning Source, others Lulu, and many went for Createspace. I then posed this question to my Mylar balloons and got the answer: “Whatever earns you the most money so you can buy more of us.”

My balloons had a point.

All three companies will offer a professional-looking book. Lulu and Lightning Source use the same files, and what’s more, Lulu works with Lightning Source. I used to publish my books through Lulu. I still do Night to Dawn magazine through them because I can get nice-looking print for the spine. Createspace will not put print on the spine unless the book is 100 pages. Sometimes you can get really great sales through Lulu; otherwise, Lulu’s shipping fees are steep, along with the cost for author/publisher copies. This cost then gets passed down to the readers who pony up the money to buy the book.

I’ve never worked with LSI – I was too frightened by the $35.00 yearly fee they charge small publishers per book to remain in print. To set up your book, expect to pay $37.50 for the cover file and $37.50 for the interior file. The big boy companies prefer LSI, which has the means to distribute books to the brick-and-mortar stores. Because they have an excellent sales team, set up costs are not an issue.

However, the small publishers have to consider that yearly fee, and if they’ve published ten books, that means $350 a year, not to mention the cost for proofs ($20 plus nine cents per page and $40 for revisions per cover and / or text file. If the bookstores decide to return books, and for some reason, the publisher says okay to return book on the contract, they must pay LSI the wholesale price of each book plus postage. They can also have the books destroyed. Given the price to set up the book, the publisher or author will have to sell an awful lot of books to make a profit. The Jonathan Maberry brand of writers would have no trouble selling books, but unknown authors might.

Because Lulu works with LSI, they, too, pay for those revisions and distribution, then pass the cost to the publisher. Make sure your book is error free before approving for distribution; otherwise expect to pay hefty fees to revise.

Enter Createspace. At first I shied away from Createspace because I had trouble adjusting my margins to meet their specs, but using their templates took care of the margin problem. Soon after I got comfortable using Createspace, I felt as if I’d been given keys to a kingdom. For one thing, there aren’t any set up fees. You go on their website, set up your account, select “create a book,” and follow the prompts. Createspace and Lulu will give you free ISBN numbers, but you can use your own. Your book gets to go on expanded distribution for free. Author/publisher copies are reasonable, which means you can charge a reasonable price for the book and still get a decent royalty. Once you approve your book, if later you decide to revise, you can do so without charge. Michael De Stefano, JoAnna Senger, Tom Johnson, and I decided to get new covers for some of our NTD books years after they were approved. Createspace allowed me to change the covers without charge. There is a charge for a proof copy, unless you get an online proof. I wanted a physical proof so that I have a better look at the product.

As the old saw goes, there are no free Mylar balloons. Createspace is part of Amazon, but they, too, work with LSI to get extended distribution. But they don’t accept returns, and most brick-and-mortar stores want the option to return. What’s more, once the book goes to Ingram, and Ingram takes its cut, the discount offered to outside stores is only 25% – not enough to justify stocking the book. They’ll take orders for the book from paying customers, but not actually stock the book.

If you’re lucky enough to have really great sales, consider using LSI and Createspace. That way, you can get a generous royalty and a shot at the brick-and-mortar stores. But use different ISBN numbers. Anytime you publish through two different distributors, you must use separate ISBN numbers.

Like my Mylar balloons advised, I went with the option that offered the best royalties and lowest expenses, given my situation. Your thoughts?

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Featuring R. Arundel: The Hardest Part of Writing is…

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R. Arundel, author of Face Transplant, delivers a compelling blog on writing.

The hardest part of writing is the middle or, as some have said, the “muddle.” It is relatively straightforward to create an interesting premise and an exciting opening to hook your reader. Also the ending of the book in a thriller will have a climactic end with revelations the reader did not expect. These parts of the book fuel the writer to fill the pages. The middle is a different story.

The middle of the story has to keep the story moving forward with interesting details, fill in exposition needed for the story, fill out the characters, develop subplot. This all has to be done in an interesting and fresh way for the reader to continue to enjoy the book. The opening is usually sketched out with relative ease since this sets up the story and really the only concern is how you will decide to reveal the opening. Likewise the ending really has been determined by what has already been written in the story. The conclusion naturally flows from what has already been written.

The middle can easy become unfocused and meander down paths that really don’t propel the story forward. The other problem with the middle is that it has to keep the fill in essential elements and be interesting. The initial pages can have a breathtaking scene, with details to thrill the reader. This can’t be done for the entire novel or it will lose its effect and the novel will become over the top and totally unbelievable. The middle has to take a more nuanced approach to storytelling. The pacing must vary, the characters must have interesting reveals. My personal approach to the middle is to make sure everything propels the story forward, even if some of the expository details are less exciting than the opening.

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TheFaceTransplant is a compelling tale written by R. Arundel.

Dr. Matthew MacAulay is a facial transplant surgeon at a prestigious New York hospital. When his friend and mentor, Tom Grabowski, dies under mysterious circumstances, Matthew uncovers his friend’s secret: a new technique that allows perfect facial transplants. No incisions, no scars. Tom was able to accomplish this monumental feat with the help of Alice, a supercomputer robot with almost human abilities. While trying to find the people responsible for murdering Tom, Matthew realizes he is the prime suspect. He must flee for his life with the help of Dr. Sarah Larsson, a colleague and reluctant helper, who has a secret of her own, and Alice, who helps them make sense of a baffling series of seemingly unrelated events. The clues carry Matthew and Sarah around the world. They stumble onto a sinister plot of monumental proportions that leads Matthew all the way to the White House.

The Face Transplant is a powerful medical suspense thriller of the first order. The novel was written by a surgeon who weaves politics, medicine, and espionage into a tightly paced, intelligent thriller.

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AUTHOR Bio and Links:

Arundel is a practicing surgeon. This experience brings realism to the story. The novel asks what would happen if a surgeon were to develop the perfect face transplant. This would allow people to have a new face, in essence create a new identity. You can create the perfect double, the perfect Doppelganger.

Contact link: http://www.amazon.com/R-Arundel/e/B00EBCQVEC

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Excerpt:

Guaarrr. It sounds like water draining from a very large bathtub, through a very large hole. I just killed myself. I just killed the patient. Dr. Matthew MacAulay looks down on the operating room table at the gaunt, graying man. Matthew quickly scans the operating theater. Out of the corner of his eye, he can see the short wide man in the observation area.

I just killed myself, Sarah, and Amanda.

They have been hijacked into performing a face transplant. The patient is unknown. Mr. Glock, the short wide man, hovers in the far end of the operating room. He made it clear that if the patient did not survive, the three of them would be following him in short order. The 9 mm Glock with a silencer on the end gave credence to his profanity-laced words of warning.

Matthew looks across the operating room table at Amanda Soto, forty-two, an American of Spanish ancestry. She has been his scrub nurse, assisting him in the operating room for the last three years. Divorced, one child.

It will take a few more seconds for the monitors to tell everybody what Matthew already knows. Amanda already knows. She is right across the table. She saw him use the robotic arm to dissect the vessel and mistakenly cut the large artery in the neck. An operating room nurse of Amanda’s experience has seen it all. When Matthew looks into her eyes, they flash ever so quickly an acknowledgment that it is all over. Instead of any words, she quietly unclamps the suction. Now a dull hiss fills the air. To the casual observer, or the short wide man holding a 9 mm Glock pistol in his fat stubby hands, nothing really has changed. Amanda, anesthetist Dr. Sarah Larsson, and Dr. Matthew MacAulay act as if all is going well.

Matthew cannot help but glance over to the man with the 9 mm Glock. In his mind, he names him Mr. Glock. Adrenaline surges through Matthew’s body and time slows. The short wide man, Mr. Glock, has gray eyes. Pale, gray eyes. Very pale, almost tired. Matthew remembers reading somewhere that people with gray eyes have the best visual acuity. They make the best marksmen, the best assassins. He wonders if this was true.

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Balloons and Branding

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Barbara Custer loves her Mylar balloons and horror tales.Jonathan Maberry, a wise author and mentor, once told me that the best way to get readers is not by pushing your book but by “branding” yourself. Perhaps you have a favorite shirt you might wear to signings. Perhaps everything you live and breathe resonates with Star Trek. I’ve been doing mine via Mylar balloons. Why balloons? I can’t say why, but I find it impossible to shop at most supermarkets without being waylaid by the balloons at the floral aisle. How many balloons do I have? A lot. If you’d like to guess how many, there’s a giveaway involved.

Barbara Custer wrote Close Liaisons, a science fiction book featuring aliens and Mylar balloons.Any time you blog or go to a writing venue you’re “on,” meaning that the way you carry yourself will become part of your brand. So whenever you blog, you’ll want to keep it positive. If you had a quarrel at home, leave it there. Give yourself plenty of time to get to an event because if you show up late, people might associate lateness with your brand. “Oh, yeah, that’s Barbara of the Balloons – she takes her time,” and so forth. When I’m with writer buddies, doing the editor letter for Night to Dawn, or blogging, I usually open the top with my latest balloon escapade at the Giant, Acme, or other market. And I find that balloon analogies have a way of getting the point across.

Michael DeStefano wrote this coming of age novel.Sometimes your brand can creep into your books. NTD author Michael De Stefano, for one, loves baseball, and you’ll find a lot of scenes involving baseball in In the Times of Their Restlessness and his other two books. Tom Johnson’s bouquet of balloons is his life in the military, and his experiences and love of science fiction creep into his Jur novels. Rod Marsden brands himself with his love of history in Ghost Dance, among his other books.

So … I guess you’re wondering if Mylar balloons have crept into my books. Well, let me put it to you this way. Did God make little green apples? Does it snow in Pennsylvania during the wintertime?  Heroine Alexis of Steel Rose kept a squadron of Mylar balloons in her hospital room because she felt that the helium in them, being especially poisonous for Kryszka aliens, might protect her from the renegades. You will also meet balloon queens in Close Liaisons and City of Brotherly Death.

The most important part of branding though is having fun. Why is it so important? Because the branding tool enables people to get to know you in a good way. When that happens, good reviews, if not sales, are likely to follow.

So … how do you go about branding yourself and your work? Do you have a special interest in something that works? I’d love to hear about your experiences.

I’m offering two giveaways: A signed copy of Steel Rose and a copy of Night to Dawn 28, to be given to a random commenter during this blog hop. And if you can guess how many Mylar balloons I have, the person with the closest guess will get an eBook copy of Close Liaisons and City of Brotherly Death.

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