When to Hire an Editor

Some time ago I posted the advantages of Autocrit software, and the wisdom found in Writing the Breakout Novel. Autocrit enabled me to catch repetitive words, and I ferreted out problems in my novel when I applied techniques from Writing the Breakout Novel. However, the devil is in the details, and a small press editor once told me that no writer sees their own mistakes. So I kept going through my work again and again.

The time is coming for me to step up to the plate: either submit my next novel or publish it through Night to Dawn. A lot more authors are turning to independent publishing, but I’m hearing complaints about the spotty editing found in self-published books. The books on the table are Steel Rose, the novel following Dark Side of the Moon, and Dead Folks Stalking, a short story collection. The child in me insists that since I edit Night to Dawn material, I should be able to edit these books myself, right?

The adult in me hollers, “Wrong!”

After looking at comments workshop leaders made about so-called “ready” material, I decided to send Steel Rose off to an editor. This will include content editing. Editing any book is a big job, and takes time, so I proceeded with work on a sequel and the short stories.

I went through the short stories that had seen publication in small press magazines. There’s a lot to be said for putting one’s work aside and then reviewing it weeks later. When I looked at the tales with a fresh pair of eyes, I saw areas that needed rewriting. Perhaps a paragraph had too much tell and not enough show. So I did some rewriting and sent these off to an editor for polishing.

Good thing I did. The content in these stories was addressed by the editors who published them, but there were quite a few typos. Had I sent these tales to press, the errors would make them look less than professional. Mind you, typos make it to print in a lot of books. Two or three errors in a book may not harm sales, but two or three typos on a page will. “Sunset Kill,” a tale featuring dead nursing home residents who resurrect and feed on their caregivers, had that many on some of the pages. Not any more.

So why couldn’t I see my own mistakes? I think because I consider my stories like family members, and I’m too close to them to edit them effectively. At most hospitals, policy dictates that health care workers not treat family members because they’re too close to their situation. Perhaps the same policy should apply to writers and editors with their own stories.

Barbara Custer is the publisher of dark fantasy and science fiction.

Revisions and then More Revisions

Over the months, I’ve alluded to a sequel: Steel Rose. Steel Rose wound up with its own cast of characters, so I can’t call it a sequel any more. Maybe this is good. At workshops, speakers have advised everyone to put their manuscripts aside for a few weeks, and then rework them. I put Steel Rose on the back burner while I worked on Starship Invasions. Now I’m back with fresh eyes, and I brought along my Autocrit program.

Putting the manuscript aside was the best advice anyone gave me. When I went back to it, I found a lot of inconsistencies and need for line editing. The big thing was repetition. One chapter was cluttered with “that.” There is nothing wrong with using “that” or “was,” but those words shouldn’t clutter the pages. In this, Word has been a staunch alley with its find and thesaurus features. Since I’ve gotten into publishing books and marathon revisions, I’ve made peace with Word, and I’m starting to appreciate its assets.

But let me not digress. The more revisions I make, the more I see that need to be done. Writing comes naturally, but introducing characters that people love can be difficult. The body language needs work, and I’ve seen that with others’ manuscripts. I found research helpful, and even more, the critiques I get from my writer’s group. Reading out loud enabled me to catch problems if I stumbled over sentences.

Some days, the revisions come easy, especially after a good night’s sleep. Other days, it might take three or four of my best curse words to do the job, especially when life gets in the way. On the bad days, I try to remind myself I’m making progress. And if later, an editor should suggest revisions, I will consider that person a good friend. It is better to fix the problems before the manuscript goes to print, than to have a reviewer or reader comment on them later.

That said, I have to wonder how Jonathan Maberry and other great writers get through the revision process. With deadlines, you have to move fast. I can edit fast. I have to sometimes for the NTD tales but revising comes slow. Perhaps if necessity was involved, I’d speed up my revisions.

I’d like to hear about your revising process. What was most difficult? What has helped you?

Steel Rose features cross-genre horror / science fiction by Barbara Custer

This tale received a lot of pruning before it went to press. Props to my editors!

Createspace versus Lulu Revisited

Some time ago, I laid out the advantages of using Lulu versus Createspace. And my biggest beef with Createspace was not being able to use my credit card. Well, at last I found my way through the labyrinth of ordering functions, enough to order a proof. Createspace has made peace with my credit card, and when I got the proof of Cold War Heroes, I found that the proof looked decent enough for a bookstore. So the assumption followed that I could go ahead and run all my future NTD magazines through Createspace. Not quite.

I’ve already run NTD 20 through Lulu, and got a lot of nice compliments about the issue. So with the PDF generated by Lulu’s software, I proceeded to upload on Createspace. You see, any book run through Createspace software will automatically go on Amazon. But Createspace wasn’t crazy about handling 8.5 x 11 books. You can’t do 8.5 x 11 books for premium distribution on Createspace like you can with Lulu.

No biggie there, until I got a memo from Createspace informing that the PDF wasn’t viable. NTD always has a print label on the spine, the way many perfect bound magazines do. The print had to come off of the spine, said Createspace. Also on my book reviews, I needed to add two additional places where the books reviewed are available. I don’t have the Acrobat software needed to change the spine. I could make the changes on the inside file on my Word 2007, save it to PDF and use that.

Ah, but with Lightning Source, Lulu, and Createspace, it isn’t enough to use a PDF. The fonts have to be embedded a certain way for the file to pass muster. Lulu will convert your word files to PDF so that you’ve got a file that meets that requirement.

Does that mean I’m firing Createspace? Not necessarily. But I can’t use it for NTD unless I’m willing to forego print on the spine. Maybe I’m having a hard time with change.

I am turning more to eBook distribution: namely Kindle, the Nook, Smashwords, and a new company www.xinxii.com, a European distributor of eBooks. The eBooks look promising, and more people are buying them. But there is a lot to be said for the feel of a print book.

I would like to hear from you about your experiences using Createspace’s software, and your thoughts on the future of eBooks.

Night to Dawn features vampire tales with a twist.

 

 

The Call of the Wild

I never thought I would blog about my balloon collection, but as the cliche goes, never say never. Today was an unusual day for grocery trips. I went to a different supermarket, one that didn’t tempt me to buy balloons. More bad weather was coming our way, so I concentrated on buying supplies. I decided to check out the dollar discount store to see if I could buy some of the things needed for less. The dollar discount had a huge array of paper products, everything costing $1.00 each. Since birthdays are coming up for people I care about, I headed down the gift aisle for wrapping paper and cards.

That was when the balloon trees nailed me.

Actually, the courtship began as soon as I walked in. Balloon trees filled with bright reds, silver, and Valentine messages swarmed toward me. The individual balloons there, plenty of them at that, didn’t tempt me so much, but they might have if the balloon trees hadn’t overwhelmed me. There were so many, they literally ran wild. Even the storekeeper couldn’t contain them. Each tree boasts six smaller foil balloons, plus one large one. It could be a Valentine frog or bear. I went with the frog because of its pretty shade of green. Total: seven balloons for $8.00.

I had to sit my passenger seat flat to fit the balloons in the car. They threatened to break loose, so I shut the door fast. Later, after I’d gone to the supermarket and came back, I noticed balloon ribbons sticking out between the door and floorboard.

Why a balloon tree? Perhaps I am celebrating Alien Worlds, the book that I collaborated with Tom Johnson. Newly released, it will be available on Amazon in a few weeks. Maybe I was thinking of giving a couple to Mike for his birthday, and I will. Maybe it’s just because I love balloons so much and couldn’t resist the call of the wild.

City of Brother Death features zombie tales and horror fiction by Barbara Custer

Interview with Sam’s Dot Publishing Editor Cathy Buburuz

NightCathy BuburuzA lot of writers (I know I did) have groaned over the frustration of rejected submissions. What catches an editor’s eye? What are publishers and readers looking for? And so tonight, I will be chatting with SDP editor Cathy Buburuz. Cathy has been sending poetry, fiction, and art to Night to Dawn since I became editor in 2004. Her work has appeared in magazines across the USA, Canada, Australia, England, Romania, Japan, Yugoslavia, and other countries. Along with her horror writing and illustration, she edits Champagne Shivers and other magazines for Sam’s Dot Publishing. Cathy’s got some interesting insights on the industry, so let’s hear what she has to say.

BARBARA: You wear several hats – editor, illustrator, fiction writer, and poet. Do you have any one favourite?

CATHY: I don’t have a favourite task and I’ve always enjoyed that luxury of going from one creative project to another. Doing all four keeps things fresh and interesting. To me, all four are meaningful and fulfilling forms of creativity, but it’s the writing of fiction that helps me work off the anger and frustrations associated with the aches and pains of our society and everyday life.

Right here in my hometown there was a news story about a man who beat his toddler to death for touching the family’s television. The story stayed with me far too long and writing was a way to deal with it. I wanted to draw attention to the problem and promote the idea that as parents we need to pay more attention to our children, our own little world, and the world around us. We often forget how important love and kindness are to a child and how easily they can fall prey to sly monsters that single them out because they’re starved for affection, or even a little attention. This thought resulted in my story Jesus God in Heaven, about a little girl who falls victim to the least expected villain. The story has seen publication no less than six times in three different countries, so I have to believe it succeeds in its intent and purpose which is to make a solid connection and to awaken readers’ emotions.

I don’t always write with a serious goal or purpose in mind. Most times I write for the natural high that it brings. When you’re on a roll with a great idea, it’s an unequalled magic, a thing that has a way of blocking out all else, taking you to places you wouldn’t otherwise explore.

BARBARA: Some folks say Stephen’s King’s writing has changed since his accident. I beg to differ, although I couldn’t get into the Dark Tower Series like the others. In particular, I enjoyed Duma Key. What say you?

CATHY: Stephen King’s earlier novels were his most impressive, and his short story collections were outstanding. His sense of humour and his ability to connect with readers through convincing fiction are his charm. I loved Carrie, Salem’s Lot, Misery, and Dolores Claiborne, and I thought Nightshift, Skeleton Crew, Nightmares & Dreamscapes, and Everything’s Eventual were fantastic. King writes for the common man and in doing so he’s gained the world as his audience because, when you cut it to the bone, we’re all emotional beings faced with everyday decisions and dilemmas that could change the course of our lives in a flash.

My first experience with Stephen King was a well worn copy of Salem’s Lot, probably read by a dozen others before I discovered it. I own a lot of his books, and movies based on his books, and I still enjoy going back to these year after year. The movie Stand by Me (based on his short story, The Body) is among my favourites. In so many ways, that story reflected my own childhood and the things that were going on in my head at the time. I loved Dolores Claiborne for its high level of believability and the authenticity of its characters. King’s characters are always memorable.

Years ago, Inscriptions held a poetry contest. To enter, all you had to do was submit a poem by e-mail about Stephen King. My short tribute won the contest and netted me the prizes, $50 and a hardcover copy of King’s On Writing: A Memoir of the Craft. Needless to say, I was thrilled to have won because I enjoyed that book immensely. The poem that won went something like this:

Ink is blood

the thought, an artery

as psychotic razors

slash his creativity

gushing a story

on a winter white page.

Do I admire the man and his work? Most definitely.

Am I awestruck by every word he has ever written? No, I am not.

For a writer to please every reader 100% of the time is an impossible, unattainable task, simply because we all have different tastes in fiction and in writing styles. Still, when you look at the man’s career, it’d be impossible to deny that he’s done an amazing job, is envied by many, and ultimately deserves respect.

BARBARA: The economy has hurt paperback sales in the USA. Have you noticed any of this in Canada?

CATHY: Chapters is my favourite Canadian bookstore because you can enjoy a Starbucks coffee while cruising its many bookshelves for the latest releases. There’s something special about the aroma of coffee in a bookstore. Whether it’s the sale of books or the sale of coffee, or a combination of the two, this phenomenal bookstore has survived despite the challenges. I can’t deny that the cover price of a book is downright depressing sometimes, but a book is a unique form of entertainment, a journey, an often intimate experience between writer and reader that opens minds, changes minds, and expands minds. To me, it’s worth the price of admission.

Despite harsh economic times, book lovers continue to read. The only difference now is that more and more used books are being traded or sold, and that’s having a negative impact on sales of new books. More and more avid readers are turning to garage sales, yard sales, flea markets, libraries and used bookstores to fill the need.

BARBARA: What advice would you give writers hoping to get into Sam’s Dot Publishing’s books and magazines?

CATHY: All it takes is a well written story that’s in harmony with each publication’s guidelines.

It’s important for writers to know that an editor can read just a few paragraphs of your story and know whether or not you’ve bothered to read the guidelines, whether or not you’re a professional or an amateur. The opening paragraphs of your story send signals about whether or not you’re serious about your craft, or whether you’re just another wannabe. The great thing about Sam’s Dot Publishing is that we take pride in publishing stories and art by new and upcoming writers as well as the seasoned pros, but you have to be willing to perfect your manuscript, to work with us on it if it needs work. If your manuscript needs a major rewrite, chances are we’ll decline it, not because we don’t want to help, but because we believe it’s your responsibility to learn the rules of good writing and submission beforehand, and our time is just as valuable as yours.

BARBARA: I notice a lot of writers/illustrators promote their work through www.cafeshops.com. How does that work for you?

CATHY: I believe that self-promotion that could fill an ocean is the key to success.

If you type your name into a search engine and only about a hundred web pages come up, you’ve failed miserably in online promotion. Getting your name and your product all over cyberspace is time-consuming but it can be done. Work toward a presence on as many websites as possible, preferably reputable websites that have their origins in several different countries. If your work is leaving an impression on those who experience it, typing your name into a search engine will help you locate those comments. Although reviewers are fast becoming a rarity, they can be found, but searches do take time. Not so long ago, there were many more science fiction, fantasy and horror magazines with review columns – even entire magazines dedicated to reviews – but the world is ever-changing and good reviewers are few.

If you’re an illustrator, focus on what counts. Paint, market, and sell. If you sell your art on products, strive for representation by many different companies and galleries, preferably those who take advertising and promotion of their artists seriously.

If you’re a writer, the same applies. Write, market, and sell. Seek out reputable publishers who go the extra mile to promote the work of their contributors.

If you’re an editor, you have to take the time to comment on manuscripts and work with potential contributors to perfect their craft so that you can produce a noteworthy and memorable publication.

There are hundreds of writers out there who relentlessly market the same old manuscript to dozens of editors, sometimes simultaneously, instead of admitting to themselves that their manuscript needs work before it will sell. The only way they’re going to know that is if the editor they submit to makes the decision to offer an honest assessment of the manuscript, even if that honesty comes in the form of a single sentence. Don’t look at it as rejection; look at it as constructive criticism. When an editor takes the time to point out the problems with your manuscript, learn from that. Do not continue to make the same mistakes over and over ’til death do us part.

BARBARA: Could you talk a little about Sam’s Dot Publishing (SDP) and its current projects?

CATHY: Sam’s Dot Publishing (SDP) is owned and operated by Tyree Campbell, who took over all responsibilities and changed the company name when James B. Baker of ProMart Publishing passed away. Mr. Baker had many admirable goals, but the one that meant the most to him was to publish and promote new talent. Mr. Campbell has carried on in this tradition and has expanded the numbers and the kinds of publications produced each year. He publishes upcoming artists and writers alongside the pros. We have several editors on staff, and we take pride in the publications we produce. The novels, anthologies, and magazines have in recent years progressed to perfect bound publications, most with full colour covers. I’m responsible for the editing of Champagne Shivers, Expressions, the Potter’s Field anthologies, and the Side Show 2: Tales of the Big Top and the Bizarre anthologies. We have a special guidelines page on the SDP website where all of our projects are listed along with our pay rates: http://www.samsdotpublishing.com/guidelines.htm

Our publications are sold in the electronic store on the SDP website, in a couple of brick and mortar bookstores, and in The Genre Mall. Mr. Campbell also travels across the USA each summer to promote and sell SDP publications at many conventions.

BARBARA: Where do you see the publishing industry five years from now? Do you think e-book sales will outrun those of paperbacks?

CATHY: I love paperbacks. I don’t read e-books. I’ve paid $35+ for a book written by someone whose work I admire, yet I decline the generosity when writers and publishers offer free e-books. In my line of work I spend anywhere from six to fourteen hours a day looking at a computer screen, so a paperback will always win me over. And for the record, that goes for review copies as well; especially review copies.

BARBARA: Your illustrations have drawn many compliments from NTD readers. What do you find most enjoyable about the work in process? The most challenging?

CATHY: All art is a challenge for me, simply because I’m one of the slowest artists on the planet. It takes me two to five hours to design a piece of filler art, and a minimum of ten hours to complete a full page artwork. For some, art comes easy. For me, it does not. I’m hard on myself as an artist and because I have a deep love for the physical aspects of drawing, I never want the painting to end.

 

I’m not as flexible as most artists, nor am I as talented, and it just blows me away when I receive a compliment, a kind review, a fan letter, or someone actually takes the time to hunt me down to ask if they can buy one of my originals. The truth be known, the reason why I became an artist in the first place was because I dared to send a small piece of filler art to an editor and he published it on his cover. That editor changed my life because he gave me the confidence to continue, to experiment, and to submit more of my work to other publications. American artist Marge Simon saw that very first cover and invited me to collaborate with her. At the time, she was the most published artist I was aware of – she’d won great recognition and awards for her art and her cartoons – so I was as nervous as hell about working with her. I gave collaboration a shot. I loved it, and I learned from it. Over the years I’ve worked on art collaborations with more than a dozen artists and illustrators, and I’ll always be grateful for that experience because it served as an education in its purist form.

BARBARA: Could you describe what a typical work day is like?

CATHY: My typical work day is spent multi-tasking. One day never resembles another. I chose to work on what I’m interested in at the time, what my mood or creative energy dictates, and the job I feel I’m best suited for on any given day. I might spend three or four hours reading and responding to submissions to my projects or spend an hour researching potential markets for my own work and my online monthly newsletter, Expressions. Every now and then, to give my work variety, I take on a private job editing a novel or a chapbook.

I tend to do artwork during the day because I prefer natural light. I write the majority of my stories, poems, and reviews in the evening because that just happens to be the time when I’m the most creative and productive, and it’s also a time when the phone or the doorbell is less likely to ring. When I need a break, I wander out into my flower garden and pull weeds or water the lawn, or go on facebook to play a few rounds of Word Twist or to learn more about what other creative people are working on. To dump the junk in my head, I read a good book or magazine, watch a movie or an episode of North of 60, Bones, Law and Order: Special Victims Unit, or CSI Las Vegas.

No matter what I’m working on, I like to take breaks every three or four hours. The only exception to that rule is when the writing is going well. I never stop writing when the words are coming faster than I can type them. I’ve also been known to dive out of bed at five in the morning because of an idea I fear losing. I’ve also been known to work until six in the morning because I’m on a roll.

I seem to thrive on maximum overload so, in an effort to hang on to my own sanity and stay grounded, I try to spend as much down time as possible with my family, and I always shoot for one to three short vacations each year.

BARBARA: Which forums would you recommend to authors hoping to promote their work? Any other advice?

CATHY: I choose forums that suit my particular wants and needs, places where my levels of privacy and comfort aren’t in jeopardy, a forum that feels like home. While I believe that a writer can’t spend too much time on promotion, I think writers have to allot a fair amount of time to their craft. In fact, most of us work so long and hard at our chosen professions, we wish we had more time for self-promotion. There are those of us who would much rather work on an illustration, a short story, or a novel than tackle the chore of marketing and promoting ourselves.

Still, I’d have to say that the absolute best form of self-promotion is publication. The more you’re published in reputable books and magazines, the wider your audience, and the more likely you’ll be acknowledged as someone who’s serious about their craft.

It certainly doesn’t hurt to remember that readers don’t admire you because you’ve had 500 or 600 illustrations, poems or stories published. The reality is, truckloads of crap are published each year. Readers admire writers simply because they enjoyed their work, they could relate to it, and it lit an emotion in them.

It’ll always be quality, not quantity that counts most in this business. If you can accomplish both of these simultaneously, you’ve more than done your job.

Interview with Award-winning Author Denyse Bridger

Tonight, I will be chatting with Author Denyse Bridger, whose tales and characters have enchanted many readers. A prolifice writer, she has penned close to 400+ short stories and novellas. Her dark fantasy works have earned her Eppie finalist in 2006; finalist for 2008 Prix Aurora Award, Book Lovers Cover Best Book Award (2009) and others.  So let’s hear what Denyse has to say about her creative genus and methods to her success.

BARBARA: I understand you’ve partnered with Branscombe Richmond to write motorcycle adventures (modern-day Westerns). How is that going, and how does it feel writing in a different genre?

DENYSE: This isn’t really a different genre for me, I’ve been in love with traditional Westerns for most of my life, so it’s relatively smooth to take the adventure and mindset, and project it forward to the 21st century. As Branscombe said when he proposed this, just replace horses with motorcycles and go from there. It’s working beautifully!

BARBARA: I see you’re working on a tale set in Italy. I’ve been there myself and find it a perfect atmosphere for romance. Have you gone there for your research/ How do you research other settings?

DENYSE: I have not been to Italy, but again we’re talking about something that has been an on-going love affair for me virtually my entire life. There is something so perfect about this country, the culture, and the amazing spirit of the people of Italia. They embody romance on all levels, with their passion for art, and love, and ‘la dolce vita! I hope one day to visit this dream place, so hopefully one day I can sit on a balcony in Sorrento, look out at the Bay of Naples, and write the magic. I can’t think of anything more wonderful than that. For the moment, I use pictures, read many books, rent DVDs, and drive my Italian friends crazy with questions that they graciously answer for me.

BARBARA: What do you see in the future for e-books versus paperbacks?

DENYSE: I think the e-market is slowly expanding and becoming more legitimate in the world of books, but there will always be a special kind of attachment to books that you can hold in your hands and touch. For me, I’ve been reading my whole life, and there is nothing quite like the feel of paper and texture in your hands as you settle in to escape to a different world. My first major release was absolute magic to me, to touch it and see it stacked on the table at the launch, walk into stores and see it on the shelf. It’s a feeling that can’t be captured with eBooks, honestly.

It is a general consensus that eBooks are the future of our industry, and it makes sense. Environmentally it’s logical, and from the traveler’s standpoint, it’s amazing. You can take your eReader and carry a hundred books in your hand, and you don’t have to worry about the weight limit from the airline!!

BARBARA: I’ve heard that “horror” has become a taboo label, and people are now calling it dark fantasy or supernatural thriller. What are your feelings on that?

DENYSE: Horror conjures up such negative images, maybe it’s not such a bad thing that the label has become somewhat taboo. Not all dark fantasy is about blood and gore, and that tends to be what people think of when they see the word horror, something that will terrify and sicken in some ways. There’s a brutality to the genre’s subconscious in many people’s minds, and that may be why many authors want a different classification. I think if you are writing supernatural beings, etc., that there is in most cases a redeeming humanity to those characters, and for that reason alone many authors don’t want it called horror. Because it’s not meant to inspire fear but emotional empathy. Horror brings to mind the cinematic kind of mindless violence that makes many stomachs turn, Friday the 13th, Halloween, Chainsaw, things of that nature. I’d rather be thought of as a dark fantasy author than a horror writer, and perhaps many others feel the same way.

BARBARA: What would you recommend for an aspiring author to hone their writing?

DENYSE: Write. Ultimately, that’s the best training there is. Persevere, and keep learning with each piece you write. Don’t listen to your friends and family, listen to what other authors have to say, and what editors have to say. Accept that there is no such thing as a perfect book, just the best book you can produce at the time that you write it. Once it’s done, leave it, take what you’ve learned from it, and make the next one better for what you’ve taken from the experience. If you constantly revisit old books and tweak and work them, you’ll never discover the new adventures that are waiting to be told. None of us are so good that we can’t benefit from honest and constructive opinion. You have to learn to take what works for you, and benefits you, and leave the rest behind. Bad reviews are a way of life, because there is no such thing as a book that is universally brilliant to every person who reads it. Accept that early and you’ll be a much happier author!

BARBARA: What is the once piece of advice you would give to authors trying to market their books?

DENYSE: Take your time and find the right publisher for your book. There is always a niche for what you create, and sometimes a smaller specialized publisher is a better fit than a big publisher, especially early in the writer’s career. So, take advantage of the internet resources and libraries, see where you think your book would find the best editorial acceptance, and fit with the catalog and reputation of the press. It wouldn’t make sense to submit a fantasy tale to a romance publisher, or a thriller to a children’s press, so make sure you’ve chosen well and appropriately.

Once you’ve found the right publisher, you have to then be prepared to be your own biggest cheerleader. The promotion and saleability of your book is in your hands, really. It’s a major job and requires dedication and a lot of time and work, so you have to be prepared to put in a lot more hours than you may realize. It’s a competitive market, and authors abound, so you will be one of many people vying for a reader’s hard-earned dollars and interest/time. Make it worth their time, and they will be loyal and supportive of all you do. Give them a shoddy product and it doesn’t matter if your second effort is worthy of a Pulitzer, you’ve already lost the audience. Treat your readers with respect, and they will never desert you.

BARBARA: I found your “coming soon” attractions intriguing. In particular The House of Secrets. When will this book become available?

DENYSE: With a little luck this book will be available next Spring. There is one more story to finish from the group of contributing authors, then I have to write my part of the tale. Ideally, it will all flow into one smooth, connected story. The Italian title is ‘La Casa di Segreti. And the idea is one that has been in my mind for a couple of years. When I made the decision to propose it to a group of authors, and turn it into an anthology of different voices, they were amazing, and very detailed in their research and dedicated to making the whole thing dovetail nicely. I’m very proud of what they’ve done, and I think readers are going to enjoy a really wonderful book!

BARBARA: Here in the USA, the economy has had a big impact on the way publishing is done. People seem to favor e-books because they are cheaper. Are you noticing this in Canada also?

DENYSE: I really don’t know if there’s been as much impact on the Canadian market, because the stats here show that people are buying more print books than ever, so whether that also means more eBooks, I really couldn’t say with any reasonable certainty.

BARBARA: You’ve been very prolific with your tales. How many hours a day do you spend at the keyboard, and where do you get your energy to keep going?

DENYSE: I tend to spend approx. 12-14 hours a day at work, interrupted by breaks of course. And real-life, which tends some days to make the days turn into 16 hours!!  Seriously, I do spend a lot of time dedicated to either writing, or doing all the things that have become part of the process and are now routine. The promotional posts, blogs, guests, coordinating it all takes time and energy. If you maintain a MySpace, or FaceBook page, those things also eat into the time. It’s all become part of the day to day routine, though, and at the end of it, if I get a few hours of actually writing time in, and see some progress made on a story, then I consider the day a success!

BARBARA: Which book won the Best Book Award, your latest?

DENYSE: Yes, the latest release, Whom Gods Have Favored. It won Best Book Cover in the month of May, and the cover is rather stunning and eye-catching. It was also nominated for The Covey Award in June, so that cover alone is getting lots of attention! I’ve been fortunate, really. This isn’t the first time a book of mine has been in the running for an award. My fantasy novel was a finalist on the ballot for the very prestigious Aurora Award here in Canada. Another erotic contemporary was a finalist for an Eppie; I have won Fan Quality Awards for my early fan fiction, and an international poetry award. My first professional contract was won in a competition, and I haven’t looked back since. Just as my first original fantasy tale was voted Best in Issue in the Reader’s Choice poll for the magazine it was featured in. I’ve been very lucky to have my work recognized and appreciated in this way. Just as I’ve been extremely blessed by the excellent reviews for virtually everything I’ve written.

One of the thing I was most proud of was being asked to be the feature in Sable Grey Magazine, which debuted in February. It was an honor to be part of something so widely read by so many readers. Sable is a wonderful and talented lady, and her friendship is an added bonus to a great professional introduction.

Thanks very much, Barbara, for having me as your guest. I’ll look forward to chatting with your readers, and answering any questions they may have. I hope they’ll drop by my website too. There are lots of fun things on the Freebies page and the Extras! Plus, I co-own a magazine of my own, designed for Readers of Romance. That’s on the links page, Sensual Treats Magazine. All in all, I keep pretty busy!!

Denyse Bridger
Website: http://www.denysebridger.com
My Blog: http://fantasy-pages.blogspot.com
My Passion: http://amoresenzaconfini.blogspot.com
Sensual Treats Magazine: http://www.sensualtreats.webs.com

WhomGodsFavored

 

  • Subscribe to Blog via Email

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 35 other subscribers