The hardest part of writing is the middle or, as some have said, the “muddle.” It is relatively straightforward to create an interesting premise and an exciting opening to hook your reader. Also the ending of the book in a thriller will have a climactic end with revelations the reader did not expect. These parts of the book fuel the writer to fill the pages. The middle is a different story.
The middle of the story has to keep the story moving forward with interesting details, fill in exposition needed for the story, fill out the characters, develop subplot. This all has to be done in an interesting and fresh way for the reader to continue to enjoy the book. The opening is usually sketched out with relative ease since this sets up the story and really the only concern is how you will decide to reveal the opening. Likewise the ending really has been determined by what has already been written in the story. The conclusion naturally flows from what has already been written.
The middle can easy become unfocused and meander down paths that really don’t propel the story forward. The other problem with the middle is that it has to keep the fill in essential elements and be interesting. The initial pages can have a breathtaking scene, with details to thrill the reader. This can’t be done for the entire novel or it will lose its effect and the novel will become over the top and totally unbelievable. The middle has to take a more nuanced approach to storytelling. The pacing must vary, the characters must have interesting reveals. My personal approach to the middle is to make sure everything propels the story forward, even if some of the expository details are less exciting than the opening.
Dr. Matthew MacAulay is a facial transplant surgeon at a prestigious New York hospital. When his friend and mentor, Tom Grabowski, dies under mysterious circumstances, Matthew uncovers his friend’s secret: a new technique that allows perfect facial transplants. No incisions, no scars. Tom was able to accomplish this monumental feat with the help of Alice, a supercomputer robot with almost human abilities. While trying to find the people responsible for murdering Tom, Matthew realizes he is the prime suspect. He must flee for his life with the help of Dr. Sarah Larsson, a colleague and reluctant helper, who has a secret of her own, and Alice, who helps them make sense of a baffling series of seemingly unrelated events. The clues carry Matthew and Sarah around the world. They stumble onto a sinister plot of monumental proportions that leads Matthew all the way to the White House.
The Face Transplant is a powerful medical suspense thriller of the first order. The novel was written by a surgeon who weaves politics, medicine, and espionage into a tightly paced, intelligent thriller.
AUTHOR Bio and Links:
Arundel is a practicing surgeon. This experience brings realism to the story. The novel asks what would happen if a surgeon were to develop the perfect face transplant. This would allow people to have a new face, in essence create a new identity. You can create the perfect double, the perfect Doppelganger.
Contact link: http://www.amazon.com/R-Arundel/e/B00EBCQVEC
Guaarrr. It sounds like water draining from a very large bathtub, through a very large hole. I just killed myself. I just killed the patient. Dr. Matthew MacAulay looks down on the operating room table at the gaunt, graying man. Matthew quickly scans the operating theater. Out of the corner of his eye, he can see the short wide man in the observation area.
I just killed myself, Sarah, and Amanda.
They have been hijacked into performing a face transplant. The patient is unknown. Mr. Glock, the short wide man, hovers in the far end of the operating room. He made it clear that if the patient did not survive, the three of them would be following him in short order. The 9 mm Glock with a silencer on the end gave credence to his profanity-laced words of warning.
Matthew looks across the operating room table at Amanda Soto, forty-two, an American of Spanish ancestry. She has been his scrub nurse, assisting him in the operating room for the last three years. Divorced, one child.
It will take a few more seconds for the monitors to tell everybody what Matthew already knows. Amanda already knows. She is right across the table. She saw him use the robotic arm to dissect the vessel and mistakenly cut the large artery in the neck. An operating room nurse of Amanda’s experience has seen it all. When Matthew looks into her eyes, they flash ever so quickly an acknowledgment that it is all over. Instead of any words, she quietly unclamps the suction. Now a dull hiss fills the air. To the casual observer, or the short wide man holding a 9 mm Glock pistol in his fat stubby hands, nothing really has changed. Amanda, anesthetist Dr. Sarah Larsson, and Dr. Matthew MacAulay act as if all is going well.
Matthew cannot help but glance over to the man with the 9 mm Glock. In his mind, he names him Mr. Glock. Adrenaline surges through Matthew’s body and time slows. The short wide man, Mr. Glock, has gray eyes. Pale, gray eyes. Very pale, almost tired. Matthew remembers reading somewhere that people with gray eyes have the best visual acuity. They make the best marksmen, the best assassins. He wonders if this was true.