Today, I am pleased to be interviewing Chris Bauer. His debut novel, Scars on the Face of God: The Devilâ€™s Bible has drawn attention from the National Writers Association and other media since its publication in November, 2009. He wrote this oneÂ with passion, addressing the mysteries of faith and fear, creating a plot that sizzles with suspense and tension. His work has earned 5-star reviews on Amazon asking for more, and he has made finalist for a 2009 Eppie award. So letâ€™s hear what Chris has to say about the marketing process and future work.
BARBARA: I heard Scars on the Face of God: The Devilâ€™s Bible made you a finalist for the 2010 EPIC award. Could you tell the readers a little about SCARS and how the publishing process went for you?
CHRIS: Yes, Scars is a finalist for the aforementioned award (awards were formerly known as â€œEppiesâ€) as best eBook horror novel of 2009. Winners will be announced in March 2010 at the EPICon Convention in New Orleans.
The elevator speech: Church caretaker Wump Hozer, 65, survived a knockabout childhood as an orphan and a stint in prison (nickname is from the sound a crowbar makes when it hits a manâ€™s head) with the help of his beloved wife Viola. Heâ€™s lost his faith and has given up on one front, the Catholic Church, the Church having ignored the local monsignorâ€™s salacious behavior. On a second front heâ€™s taking matters into his own hands, looking for satisfaction against a tannery that is dumping waste into the local water supply, something Wump is sure has caused his sonâ€™s leukemia. What he doesnâ€™t count on is resurrecting aÂ nineteenth century hysteria that leads to confronting what may or may not be the anti-Christ. Itâ€™s old-school horror, suspense and mystery set in 1964 in the fictitious town of Three Bridges, PA, just outside Philadelphia.
The novel took three years to completeâ€”think â€˜day jobâ€™â€”then over a year to interest a publisher in it. Publisher Drollerie Press is an engine-that-could small press that delivers stories steeped in legend and fairy tale. Inspired by The Devilâ€™s Bible, aÂ thirteenth century religious artifact that according to legend was written in one night with the help of the Devil, the novel was a natural fit for the publisher. Available first as an eBook, Scars was also released as a trade paperback on 12/1/2009.
BARBARA: I read your excerpt and was intrigued, enough to want a print copy when I next visit Doylestown. What motivated the title?
CHRIS: Religious instruction during my formative years included talk of Godâ€™s perfect face. Hell, that sounds so sanitized. The grade school nuns and their discipline around having us learn our catechism drilled this and other teachings into our fertile young minds. But common sectarian sense (such a thing?) might say that if the anti-Christ expects to confront the Almighty, itâ€™s only natural heâ€™d want to scar his face up a bit, know what Iâ€™m saying? But I honestly canâ€™t remember exactly how/when the title popped into my head. Best guess is it came from one early-morning Dunkinâ€™ Donuts coffee-fueled epiphany or another.
BARBARA: I suspect Scars required a fair amount of research. How did you go about it?Â
CHRIS: The novel took shape in three areas. First, I began questioning what I recalled to be an abnormal cluster of impaired children I knew during my northeast Philadelphia childhood. Couple that with having just read Jonathan Harrâ€™s non-fiction A Civil Action which chronicled the alleged effects of dumping carcinogens into the environment by corporations with leather tannery operations in the small town of Woburn, MA. Subsequent research taught me that there was a proliferation of leather tanneries around the Philadelphia region in the lateÂ nineteenth and earlyÂ twentieth centuries. (Be advised here that the tannery waste dumping issues and the impact they have on the novelâ€™s Philadelphia setting is strictly fictitious.) When I learned through a writer friend of mine that tanning leather was hastened by the introduction of dog feces into the process, I endowed my protagonistâ€™s childhood with a neighborhood doggie-dung-for-dollars (actually pennies) business.
Second, my social worker wife Terry told me that in the mid to late nineteenth century there werenâ€™t enough U. S. laws to protect children from abuse by their parents. [Alert! Graphic image coming!] Child protection groups cite anecdotally that orphanages were built in some urban environments simply because the local sewer systems couldnâ€™t handle the volume of infant bodies being discarded into them by poor families with too many mouths to feed. Plus, since there werenâ€™t enough laws to stop such barbarism, it wasnâ€™t uncommon for some of the citizenry to resort to invoking local animal rights/abuse statutes and penalties in attempts to stem this and other child mistreatment when it was discovered.
Third, the movie The Devilâ€™s Advocate (Al Pacino, Keanu Reeves) produced an â€˜ahaâ€™ moment when Pacinoâ€™s Satan talks of rewriting history. It made me ask if religious history had ever been recorded from Satanâ€™s viewpoint. A quick internet search produced The Devilâ€™s Bible (aka Codex Gigas aka The Giant Book) mentioned earlier. This legendary tome became a plot anchor.
BARBARA: How did your signings go at Doylestown and Claymont? What are the advantages of working with an independent bookstore?
CHRIS: Had a great time at both. My post-signings Facebook entry: â€œSign this, eat that, smile here, no, smile here, is there a real Devil’s Bible, can my eight-year-old read this (no), it cost what?!!, can I get the recipe for the cookies, you look mean in your picture, you’re shorter than I thought, nice poster..â€ Thanks to all who were able to stop by. I ENJOYED EVERY BIT OF IT.Â
Working with the independents is a more personal experience for both the author and the customer. Independent owners are in it more for their love of the literature itself, much as authors are. Theyâ€™re readers and writers and community organizers and charity-givers and neighbors. And authors love the independents for the same reason actors like to do stage work: itâ€™s more of an up-close and personal venue for serious, dedicated readers to interact with the authors they follow.
BARBARA: What suggestion would you give authors trying to market their first novel?
CHRIS: They need to realize that it wonâ€™t sell itself. That thereâ€™s a reason why agents and publishers are so damn picky: NOBODY KNOWS YOU. That even those of you with major publishing deals will still end up doing most of the work. That thereâ€™s a direct relationship between face time (internet based or other) and reader interest. The standards: you need a website; you need to blog, which I do woefully little of; you need to join Facebook, MySpace, Goodreads, Librarything, Shelfari, any place where readers and writers will friend each other because they, ah, read and/or write. If your book lends itself to identification with a group or a community organization or hometown, exploit the connection. Case in point: writer friend of mine author Marie Lamba (What I Meant…, an excellent YA title from Random House with a bi-ethnic teenage protagonist) does talks for Girl Scout troops. This has produced mucho publicity for her. Iâ€™m still looking for this type of plank for my platform. My novel has too much explicit language, violence and fright material for me to consider a marketing venue like the Scouts, however. Even knowing there are some less impressionable Scouts out there who no doubt already read graphic comics, pulp fiction and the like with their Scout-issue penlights at night, I of course canâ€™t market directly to them. But you get the idea; these types of venues are of interest. I am accepting suggestions.
BARBARA: Like me, youâ€™ve had the benefit of The Writersâ€™ Coffeehouse meetings and forum. Have you taken any of Jonathan Maberryâ€™s nine-month writing courses? How has Jonathan and other well-published authors influenced your writing?
CHRIS: My Jonathan Maberry exposure has been limited to the wonderfully interactive Writersâ€™ Coffeehouse meetings plus one very nice gesture Jonathan made to me. A few years back he went out of his way to deliver on the spoils of winning a horror contest, this after the group hosting the contest had closed its doors due to financial issues. FYI my winning entry for this contest was the first chapter of Scars.
One other horror author Iâ€™m enamored with is Dean Koontz, this because of his Odd Thomas series and the terrific voice heâ€™s given this twenty-something I-see-dead-people fry-cook protagonist. Great storytelling on Oddâ€™s part. And this characterâ€™s first person POV delivery forced Mr. Koontz into more of a minimalistic approach with his prose, keeping the storylines on task and less literary, something I found refreshing.
BARBARA: Where may someone get information on the Devilâ€™s Bible, other than the Library at Sweden?
CHRIS: Plenty of info on the internet. Pictures, background, real and legendary history. When Googling the topic youâ€™ll also find it returned to the country of its origin, the Czech Republic, in early 2008 to be displayed for a short time. And the National Geographic Channel did a documentary on it which they occasionally repeat. Iâ€™ve never seen the show since my cable company doesnâ€™t carry the channel and Blockbuster didnâ€™t have it on disk the last time I checked, but Iâ€™m on the lookout for it.
BARBARA: Do you have any sequels in the works?Â
CHRIS: Pardon the pun, but itâ€™s a long story. The short answer is maybe. I loved doing Wump Hozerâ€™s voice so much that I feel I need to bring him back. My first novel The Rabbit, Stilled, unpublished as so many first novels are, actually begins where Scars left off (yes, this potential sequel in large measure had been written before the original) but with no Wump. And itâ€™s a mainstream novel, not horror. Acknowledging that these are two formidable challenges to overcome in making The Rabbit, Stilled a sequel to Scars, I can only say â€œWeâ€™ll see.â€
BARBARA: I notice you have a WIP: Hop Skip Jump. How is that work going for you?
CHRIS: I love the story but the writingâ€™s not moving along as fast as Iâ€™d like. Itâ€™s a paranormal mystery about reincarnation and what might happen if a person returns to a place and time where sheâ€™s needed the most. I’m about midway through the first draft. Havenâ€™t really tried to market it on spec. Iâ€™d much rather it be finished so I can deliver on any interest it might generate.
BARBARA: What do you think the future holds for horror / dark fantasy / SF and other genre fiction sales?
CHRIS: The futureâ€™s plenty bright for the dark arts for sure. Just look at the popularity of zombies and vampires and wizards. I do have a short story Iâ€™m just starting to shop called Zombie Chimps from Mars. Yep, weâ€™re covering a few bases with this one: the walking dead; monkeys (they like to throw their own, ahem, excrement; how cool is that?); and a hint of fantasy/sci-fi. And while these topics are all worked into this 2000-word piece, I feel the story is about something else entirely.
Barbara, in closing, I want to thank you for the opportunity you gave me to talk shop with you. Folks can check out my website or reach me at email@example.com. Continued success with all your writing endeavors, and wishing good things for all of us in 2010.
Scars on the face of god: The Devilâ€™s Bible, a novel by C. G. Bauer