And … There’s Grammarly!

Mylar balloons and zombie fiction is Barbara's chief loves.I first heard about Grammarly a couple of years ago. It sounded like a great editing tool, but I couldn’t afford the fee required to use it. Let’s face it: I like Mylar balloons, and that fee might cut into my balloon fund; I couldn’t have that. I was using Internet Explorer, you see, which means that you can’t use any of Grammarly’s perks unless you’re willing to pay. My siblings use IE and warned me to steer clear of Chrome & Firefox several years ago after my laptop crashed, necessitating repairs over $500.

Trouble is, Night to Dawn requires me to edit, and I need to be able to do it well. Punctuation errors are the hardest things to find, and to be honest, I tend to be generous with commas. Spelling compound words have been an issue for me, too, as folks who’ve edited my manuscripts can attest. Then a few months ago, I read that Grammarly’s services were free if you used Firefox and Chrome. I really needed to use something, but I had tried Chrome and didn’t care for it. So I contacted my writer buddies at Caliburn Press, and no one there used Internet Explorer because it was too slow. The consensus was that Firefox had improved its security, and Chrome was ideal. After speaking with the tech that fixed my computer I went ahead and downloaded Firefox.

Grammarly came next. First up, Firefox is indeed faster than IE, and what’s more, I’m able to open legit attachments and photos easier. Heretofore, I used to complain that I had trouble opening attachments on IE. Sure enough, I was able to use Grammarly for basic editing on my Night to Dawn documents. There’s an add-in that you can download for Word. I couldn’t figure out how to load this add-in into Word, so I copied the contents of my document onto Grammarly directly, and this did the job. As for my online correspondence, Grammarly went ahead and cleaned up my posts afterward, including the ones on Facebook.

Up until now, I’ve been sloppy with my grammar on Facebook. On Facebook and other social media, I’m relaxed. I might daydream about my recent balloon purchase, planning my next, or admiring the Mylar butterflies in my living room. In any case, grammar goes by the wayside. But now Grammarly calls me on these lapses with the offending phrases underlined in red. Caveat: sometimes the grammar you set up is legit when you’re stressing a certain point, or if your story characters speak in dialect. In that case, you do have the option to select “ignore” when Grammarly red-lines you.

Night to Dawn authors reading this might wonder if this means more red ink on their manuscripts. Not necessarily. For one thing, Grammarly won’t work if you’re doing track changes. Too, sometimes I’ll ask for mini-rewrites if I think a scene won’t work. My thinking is that it’s best to use Grammarly for polishing after the author turns in edits. The charge for Grammarly’s still applies for the premium version, in which you get plagiarism detection, tweaking of vocabulary, and other goodies. I may consider using the premium version of Grammarly for editing the next NTD novel, but I have other resources I can use. There is that Mylar balloon fund to think about.

Your thoughts?

Sandy DeLuca's Lupo Mannaro features werewolves and dark fantasy.

Parkinson’s Scorched Earth: The Conclusion

Mike was living a real life horror tale with his disease.

You grab the good days when you can.

The conclusion happened January 29th at about 2:00 p.m. The scorched earth warfare waged by Parkinson’s and dementia against Mike prohibited his ability to swallow, and that was when he died. I should have seen it coming; he’d been losing weight and getting frequent infections. My Mylar balloons tried to warn me. Every time I browsed Amazon to order him fresh supplies, the balloons stayed my hand. “Wait,” they advised me quietly. “He’s not going to need those. Save your money.”

Speaking of balloons, it was Mike who introduced me to them. He brought me some when we got engaged, and after his hospital stay in 1996, he thanked me for his care with several Mylar balloon bouquets. He loved my cheesecake, and I told myself that as long as this continued, no worries. Denial can be a comforting place.

He often regaled people with tales of his years in the Navy during the Vietnam War. Later on, he added that the Navy gave him the happiest years of his life, and now I can see why. Time spent around other people enabled him to escape the reality of Viet Cong capturing people and Parkinson’s disease invading his body.

“Scorched earth” comes from the military strategy the US used to fight the Viet Cong. This strategy involved the destruction of crops, homes, and resources vital to the enemy. I don’t recall exactly when Michel’s war with Parkinson’s disease got ugly, but I know that dementia had imprisoned his talents. It whispered “scorched earth,” with gardening, driving, and activities of daily living becoming the first casualties. His frequent falls echoed “scorched earth,” necessitating admission to the Veterans home. The ability to swallow became dementia’s final target; yes, dementia can affect swallowing in its late stages. The patient’s cognitive function worsens until finally, his brain forgets how to swallow and sustain life. After his admission to the home, I learned that deep brain stimulation, when done in the subthalamic nucleus where Mike had it done can cause cognitive changes, including dementia.

I can sum up Michael’s fight with Parkinson’s by using an analogy about life. When I was ten, my mom sent me to a summer camp for three weeks. Other kids spent the summer; some stayed a week.  Some preferred sports; others leaned toward arts and crafts. One kid remained a loner and avoided most activities.

In many ways, life is like camp. God drops us off to “stay” for a while; some of us will remain here longer than others. Some people become writers or artists. Others go for medicine or law. Mike came to the camp of life with many talents, but as the years passed, he reminded me of the little girl who didn’t fit in.

His problems became apparent when his doctor attempted different medicines that resulted in intolerable side effects. At work, customers complained about his softening voice, accusing him of drinking (he was a teetotaler). Although surgery contained the tremor, it aggravated his cognitive changes and speech difficulties.

After Mike went on disability, he joined the neighborhood’s beautification committee. He had his horticulture skills behind him, and this seemed to give him purpose. Instead, after a few months, he came home, reporting that he’d been “ousted.” One of the other members who happened to be a nurse explained that Mike was exhibiting personality changes and none of them pleasant. Toward the end, he became a lone wolf like that little girl at camp.

Thankfully, the Veterans home nurses treated him like family. They appreciated the sense of humor and kindness still lingering under the dementia. He’d been supportive of my writing, and this continued on his good days. Up until a month ago, he giggled at my balloon adventures. I suspect that his relatives in Heaven will welcome him with love, balloons, and flowers. Whatever Mike saw upon passing must have been beautiful, for he had a look of awe on his face. His suffering is behind him, and I’d like to think that he’s filling up on cheesecake, picking balloons, and thinking of me. Heaven has surely gained an angel.

A look at Createspace, Lulu, and Lightning Source

Steel Rose is an unholy matrimony of zombie fiction and horror fiction by Barbara Custer.

Recently my writer buddies and I had a lengthy discussion about the best way to publish a book. Some went for Lightning Source, others Lulu, and many went for Createspace. I then posed this question to my Mylar balloons and got the answer: “Whatever earns you the most money so you can buy more of us.”

My balloons had a point.

All three companies will offer a professional-looking book. Lulu and Lightning Source use the same files, and what’s more, Lulu works with Lightning Source. I used to publish my books through Lulu. I still do Night to Dawn magazine through them because I can get nice-looking print for the spine. Createspace will not put print on the spine unless the book is 100 pages. Sometimes you can get really great sales through Lulu; otherwise, Lulu’s shipping fees are steep, along with the cost for author/publisher copies. This cost then gets passed down to the readers who pony up the money to buy the book.

I’ve never worked with LSI – I was too frightened by the $35.00 yearly fee they charge small publishers per book to remain in print. To set up your book, expect to pay $37.50 for the cover file and $37.50 for the interior file. The big boy companies prefer LSI, which has the means to distribute books to the brick-and-mortar stores. Because they have an excellent sales team, set up costs are not an issue.

However, the small publishers have to consider that yearly fee, and if they’ve published ten books, that means $350 a year, not to mention the cost for proofs ($20 plus nine cents per page and $40 for revisions per cover and / or text file. If the bookstores decide to return books, and for some reason, the publisher says okay to return book on the contract, they must pay LSI the wholesale price of each book plus postage. They can also have the books destroyed. Given the price to set up the book, the publisher or author will have to sell an awful lot of books to make a profit. The Jonathan Maberry brand of writers would have no trouble selling books, but unknown authors might.

Because Lulu works with LSI, they, too, pay for those revisions and distribution, then pass the cost to the publisher. Make sure your book is error free before approving for distribution; otherwise expect to pay hefty fees to revise.

Enter Createspace. At first I shied away from Createspace because I had trouble adjusting my margins to meet their specs, but using their templates took care of the margin problem. Soon after I got comfortable using Createspace, I felt as if I’d been given keys to a kingdom. For one thing, there aren’t any set up fees. You go on their website, set up your account, select “create a book,” and follow the prompts. Createspace and Lulu will give you free ISBN numbers, but you can use your own. Your book gets to go on expanded distribution for free. Author/publisher copies are reasonable, which means you can charge a reasonable price for the book and still get a decent royalty. Once you approve your book, if later you decide to revise, you can do so without charge. Michael De Stefano, JoAnna Senger, Tom Johnson, and I decided to get new covers for some of our NTD books years after they were approved. Createspace allowed me to change the covers without charge. There is a charge for a proof copy, unless you get an online proof. I wanted a physical proof so that I have a better look at the product.

As the old saw goes, there are no free Mylar balloons. Createspace is part of Amazon, but they, too, work with LSI to get extended distribution. But they don’t accept returns, and most brick-and-mortar stores want the option to return. What’s more, once the book goes to Ingram, and Ingram takes its cut, the discount offered to outside stores is only 25% – not enough to justify stocking the book. They’ll take orders for the book from paying customers, but not actually stock the book.

If you’re lucky enough to have really great sales, consider using LSI and Createspace. That way, you can get a generous royalty and a shot at the brick-and-mortar stores. But use different ISBN numbers. Anytime you publish through two different distributors, you must use separate ISBN numbers.

Like my Mylar balloons advised, I went with the option that offered the best royalties and lowest expenses, given my situation. Your thoughts?

Featuring R. Arundel: The Hardest Part of Writing is…

R. Arundel, author of Face Transplant, delivers a compelling blog on writing.

The hardest part of writing is the middle or, as some have said, the “muddle.” It is relatively straightforward to create an interesting premise and an exciting opening to hook your reader. Also the ending of the book in a thriller will have a climactic end with revelations the reader did not expect. These parts of the book fuel the writer to fill the pages. The middle is a different story.

The middle of the story has to keep the story moving forward with interesting details, fill in exposition needed for the story, fill out the characters, develop subplot. This all has to be done in an interesting and fresh way for the reader to continue to enjoy the book. The opening is usually sketched out with relative ease since this sets up the story and really the only concern is how you will decide to reveal the opening. Likewise the ending really has been determined by what has already been written in the story. The conclusion naturally flows from what has already been written.

The middle can easy become unfocused and meander down paths that really don’t propel the story forward. The other problem with the middle is that it has to keep the fill in essential elements and be interesting. The initial pages can have a breathtaking scene, with details to thrill the reader. This can’t be done for the entire novel or it will lose its effect and the novel will become over the top and totally unbelievable. The middle has to take a more nuanced approach to storytelling. The pacing must vary, the characters must have interesting reveals. My personal approach to the middle is to make sure everything propels the story forward, even if some of the expository details are less exciting than the opening.

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TheFaceTransplant is a compelling tale written by R. Arundel.

Dr. Matthew MacAulay is a facial transplant surgeon at a prestigious New York hospital. When his friend and mentor, Tom Grabowski, dies under mysterious circumstances, Matthew uncovers his friend’s secret: a new technique that allows perfect facial transplants. No incisions, no scars. Tom was able to accomplish this monumental feat with the help of Alice, a supercomputer robot with almost human abilities. While trying to find the people responsible for murdering Tom, Matthew realizes he is the prime suspect. He must flee for his life with the help of Dr. Sarah Larsson, a colleague and reluctant helper, who has a secret of her own, and Alice, who helps them make sense of a baffling series of seemingly unrelated events. The clues carry Matthew and Sarah around the world. They stumble onto a sinister plot of monumental proportions that leads Matthew all the way to the White House.

The Face Transplant is a powerful medical suspense thriller of the first order. The novel was written by a surgeon who weaves politics, medicine, and espionage into a tightly paced, intelligent thriller.

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AUTHOR Bio and Links:

Arundel is a practicing surgeon. This experience brings realism to the story. The novel asks what would happen if a surgeon were to develop the perfect face transplant. This would allow people to have a new face, in essence create a new identity. You can create the perfect double, the perfect Doppelganger.

Contact link: http://www.amazon.com/R-Arundel/e/B00EBCQVEC

FOR A CHANCE TO WIN AN AUTOGRAPHED COPY OF THE BOOK, go here: http://www.thefacetransplant.com/contact.html  FILL OUT THE FEEDBACK AND MARK SUBSCRIBE.

Prizes for the tour are as follows:

  • One randomly chosen winner via rafflecopter will win a $50 Amazon/BN.com gift card.
  • One randomly chosen host will receive a $25 Amazon/BN.com gift card.

a Rafflecopter giveaway

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Face Transplant is a compelling tale written by R. Arundel.

Excerpt:

Guaarrr. It sounds like water draining from a very large bathtub, through a very large hole. I just killed myself. I just killed the patient. Dr. Matthew MacAulay looks down on the operating room table at the gaunt, graying man. Matthew quickly scans the operating theater. Out of the corner of his eye, he can see the short wide man in the observation area.

I just killed myself, Sarah, and Amanda.

They have been hijacked into performing a face transplant. The patient is unknown. Mr. Glock, the short wide man, hovers in the far end of the operating room. He made it clear that if the patient did not survive, the three of them would be following him in short order. The 9 mm Glock with a silencer on the end gave credence to his profanity-laced words of warning.

Matthew looks across the operating room table at Amanda Soto, forty-two, an American of Spanish ancestry. She has been his scrub nurse, assisting him in the operating room for the last three years. Divorced, one child.

It will take a few more seconds for the monitors to tell everybody what Matthew already knows. Amanda already knows. She is right across the table. She saw him use the robotic arm to dissect the vessel and mistakenly cut the large artery in the neck. An operating room nurse of Amanda’s experience has seen it all. When Matthew looks into her eyes, they flash ever so quickly an acknowledgment that it is all over. Instead of any words, she quietly unclamps the suction. Now a dull hiss fills the air. To the casual observer, or the short wide man holding a 9 mm Glock pistol in his fat stubby hands, nothing really has changed. Amanda, anesthetist Dr. Sarah Larsson, and Dr. Matthew MacAulay act as if all is going well.

Matthew cannot help but glance over to the man with the 9 mm Glock. In his mind, he names him Mr. Glock. Adrenaline surges through Matthew’s body and time slows. The short wide man, Mr. Glock, has gray eyes. Pale, gray eyes. Very pale, almost tired. Matthew remembers reading somewhere that people with gray eyes have the best visual acuity. They make the best marksmen, the best assassins. He wonders if this was true.

Personal Demons Revisited

Harold Kempka writes a series of chilling zombie tales in this book.The other night, I had a visitor over my house and she’d asked me how I got to writing horror. I told her how it started with Dark Shadows and the Hammer films. Stephen King, among other authors, only fanned the flames, I said, ignoring the fact that my dance with horror began 51 years ago, during a trip to Atlantic City with my mother. Had Mylar balloons existed, Atlantic City would have never happened because the balloons would have shielded my eyes from the sight. But, Mylar balloons didn’t exist, so I was left to face the monster on my own. And I never mentioned anything about Atlantic City to my friend.

After all, this story isn’t the kind of thing I’d tell to the uninitiated. I usually reserve this one for Halloween.

This mystery tale was written by JoAnna Senger.When I was a child, my mother and I used to go to the Italian Village at Atlantic City’s Million Dollar Pier. The Village knew how to make some mean hoagies, and gluten never entered the picture. At the time, there were amusements and goodies such as those booths where you could take four selfies for a buck. One day, they had a pavilion closed with a curtain, seated on a dais. The billboard read, “See live 1000-year-old woman.” That sounded awesome, so I got in line.

The people ahead of me formed a C-shaped ring around an ornate bathtub. Later on, I learned that bathtub was actually a sarcophagus.  Further ahead, I made out jet black hair and a shriveled face. The woman had on an ornate vest, but nothing else. I stepped up to get a closer look. Not a woman after all, but a mummified skeleton. I stood there frozen, and the people just kept looking and chatting among themselves, as if they were gathering at a party. Seconds later, she turned her head and raised her arms, extending her hand. At that, I bolted from the pavilion, screaming.

Campfire chillers features a series of horror fiction tales by Rajeev Bhargava.As I got older, I realized that most likely the folks who engineered this constructed machinery and invisible ropes to make the body move. But when you see a dead body look your way, you don’t consider possibilities. You run. For most of my life, thereafter, I’ve had this fear of skeletons—I’d discussed this in previous blogs. I think I worked my way through it; noticed that I have skeletal images for illustrations. I’ve got a real beauty of a skeleton photo in NTD 29. All the same, I rarely buy Halloween balloons. I go with floral shapes and Mylar butterflies.

I’d say this sighting in Atlantic City ignited my fascination with horror. Then I moved on to Dark Shadows and the Hammer films which fueled the flames, followed by Stephen King. Thankfully, my Mylar balloons serve as a moderating influence.

I’m offering two giveaways: A signed copy of Steel Rose and a copy of Night to Dawn 28, to be given to a random commenter during this blog hop. And if you can guess how many Mylar balloons I have, the person with the closest guess will get an eBook copy of Close Liaisons and City of Brotherly Death.

Balloons and Branding

Barbara Custer loves her Mylar balloons and horror tales.Jonathan Maberry, a wise author and mentor, once told me that the best way to get readers is not by pushing your book but by “branding” yourself. Perhaps you have a favorite shirt you might wear to signings. Perhaps everything you live and breathe resonates with Star Trek. I’ve been doing mine via Mylar balloons. Why balloons? I can’t say why, but I find it impossible to shop at most supermarkets without being waylaid by the balloons at the floral aisle. How many balloons do I have? A lot. If you’d like to guess how many, there’s a giveaway involved.

Barbara Custer wrote Close Liaisons, a science fiction book featuring aliens and Mylar balloons.Any time you blog or go to a writing venue you’re “on,” meaning that the way you carry yourself will become part of your brand. So whenever you blog, you’ll want to keep it positive. If you had a quarrel at home, leave it there. Give yourself plenty of time to get to an event because if you show up late, people might associate lateness with your brand. “Oh, yeah, that’s Barbara of the Balloons – she takes her time,” and so forth. When I’m with writer buddies, doing the editor letter for Night to Dawn, or blogging, I usually open the top with my latest balloon escapade at the Giant, Acme, or other market. And I find that balloon analogies have a way of getting the point across.

Michael DeStefano wrote this coming of age novel.Sometimes your brand can creep into your books. NTD author Michael De Stefano, for one, loves baseball, and you’ll find a lot of scenes involving baseball in In the Times of Their Restlessness and his other two books. Tom Johnson’s bouquet of balloons is his life in the military, and his experiences and love of science fiction creep into his Jur novels. Rod Marsden brands himself with his love of history in Ghost Dance, among his other books.

So … I guess you’re wondering if Mylar balloons have crept into my books. Well, let me put it to you this way. Did God make little green apples? Does it snow in Pennsylvania during the wintertime?  Heroine Alexis of Steel Rose kept a squadron of Mylar balloons in her hospital room because she felt that the helium in them, being especially poisonous for Kryszka aliens, might protect her from the renegades. You will also meet balloon queens in Close Liaisons and City of Brotherly Death.

The most important part of branding though is having fun. Why is it so important? Because the branding tool enables people to get to know you in a good way. When that happens, good reviews, if not sales, are likely to follow.

So … how do you go about branding yourself and your work? Do you have a special interest in something that works? I’d love to hear about your experiences.

I’m offering two giveaways: A signed copy of Steel Rose and a copy of Night to Dawn 28, to be given to a random commenter during this blog hop. And if you can guess how many Mylar balloons I have, the person with the closest guess will get an eBook copy of Close Liaisons and City of Brotherly Death.

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