Archive for March, 2012


I got the edits back on Steel Rose, and was glad I had an editor look over the book. Maura Anderson has done a thorough job on Steel Rose, and Toni Rakestraw has done well by me on the stories for City of Brotherly Death. For me to edit my own work would be like a doctor treating his relatives. In both cases, we’re too close to the relatives (or book, in my case) to make wise choices.

One of my major weaknesses was inconsistency. Example: Laurel is my villain, and her negligence causes a patient’s death. The boss fires her and orders two security officers to walk her to her car. All well and good, but two pages later, when Laurel muttered a plan to kill people and dented a car on her way out of the garage, I failed to mention the guards. “What happened to the guards?” asked my editor in her thought balloon. “Surely, they would be watching Laurel.”

So I revised that scene, and upon further thought, I realized that several chapters later, when the police interview the protagonist Alexis about Laurel, they might mention that Laurel is wanted for fleeing the scene of an accident. So I will revise that section also.

It’s not enough that Laurel got fired. When negligence results in a patient’s death in a hospital, the employer is required to report this to the state license board. I know this full well, being a registered respiratory therapist. Alas, I did not include this in the scene where the boss fires Laurel, and the editor called me on it. I might have called my writers for NTD on similar issues. But like many writers, I find it hard to see my own mistakes.

Another area I struggle with is the need to kill my darlings. No, seriously. I love “cute” expressions, but I had to ditch a lot of them because they confused the reader. Example, I typed, “The essence of Laurel wafted her way.” The editor crossed out “essence of Laurel” and replaced it with “Laurel’s smell.” Toni and other editors have called me on my tendency to use too many metaphors, too. I had Yeron, Alexis’ alien lover, thinking the zombies were “wearing death like an overcoat in February.” Us humans might think that way, but not aliens. Hereafter I will save the “cuteness” for my Mylar balloons.

One thing Maura recommended was a timeline, and this advice ties in with a suggestion that author / agent Marie Lamba gave at the Writer’s Coffeehouse meeting about using a calendar to keep track of seasons and important dates for your protagonist. Hereafter I will consider outlining chapters.

I’d like to hear about your struggles with the writing process? Do you outline, and if you do, how has it worked for you? Do you find it hard to kill your darlings? Any other struggles? I look forward to hearing your thoughts.

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I first became aware of JoAnna Senger through her short stories for Barbara Custer’s Night To Dawn magazine. Her writing style easily pulled me into the stories. Recently, I read her first published novel, Betrothal, Betrayal, And Blood, and was blown away by her writing technique and storytelling ability.

Tom: JoAnna, thank you for sitting down with me for this interview. First, how about telling your fans a little about yourself, your family, and where you live?

JoAnna: I still consider myself a Midwestern girl despite decades in California and now Arizona, still root for the Kansas City Chiefs even though I can’t remember the last time I saw them play in a stadium.  My family consisted of a mom, dad, little brother and a half-sister. Only my brother and I are left. Although I still own my home in California, I have to say that I much prefer living in Arizona in the City of Surprise, a small city around 120,000 in the Phoenix metropolitan area.

I went to Stephens College, a girls’ college in Columbia, Missouri, where I received a Bachelors in a double major, French and Economics. I attended graduate school at the University of California at Berkeley and earned a master’s degree in economics.

The world of words and the world of numbers are equally comfortable for me.

Tom: From reading your short stories, and now your novel, it is easy to tell you are an experienced writer, how did you get your start, and what is your background?

JoAnna: You’re really taking me back.  When I was in the fourth grade, we had a choice about a project, and writing a story was one of the choices. I wrote and illustrated (Lord help us) my first story:  Roo-lah and the Elephant Herd. No doubt influenced by my thorough attention to Tarzan comics. I have worked as a financial analyst, a computer programmer and systems analyst, a compensation specialist, a Human Resources consultant, and recently earned a paralegal certificate. So I’ve written just about everything from technical documentation through legal briefs into fantasy.

Or, maybe it’s all a fantasy.

Tom: What writers influenced you, if any, and whom would you say your writing style most resembles? And are your stories more plot driven or character driven, do you think?

JoAnna:  When I was seven, my parents gave me my first book that I could read myself: “The Tin Woodman of Oz” for Christmas. Smitten with the Land of Oz, I went on to buy all the books in the series, and I still have them. L. Frank Baum was followed by Marjorie Kinnan Rawlings (The Yearling), William Faulkner, Ann Rice, Agatha Christie, Joyce Carol Oates, Stephen King and many others.

I strive for a style similar to Faulkner’s with respect to the abrupt pace change and like Christie’s for subtlety. With respect to mysteries, I particularly like those where “who-dun-it” becomes almost beside the point, given the extraordinary discoveries made along the way.

As for plot versus character, I suppose I would put character first.  It seems to me that the characters act according to their nature, and their actions become the plot.  Yet, I usually think of a broad plot outline before I refine the characters.  Once refined, the characters become real to me and, often, I can’t give them up.

Tom: Tell us about your short stories, and a bit about your recent novel, and which do you prefer writing, novels or short stories? Or do you have a preference either way?

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JoAnna:  The novel is most natural to me. A few of my short stories are standalones, and in the future, I will submit only standalones to magazines such as Night To Dawn and save the continuous stories for a novel. I think of writing a novel as similar to making a quilt, which I also do. Sometimes you need to take a break, and the short story or a table runner does the trick.

Tom: You point out that the human monster is worse than any imaginary creature, and I agree. There is a touch of horror in your recent mystery novel involving a human monster. But besides horror and mystery, do you consider writing other genres down the road, and if so, what would they be?

JoAnna:  I have written a few children’s stories, as yet unpublished, as sometimes wonder what it would be like to write a column for a newspaper.  So many challenges ahead!

Tom: In your novel, Betrothal, Betrayal, And Blood, you have some very interesting characters, in particular the police investigators and a certain female P.I., are these based on anyone you know (lol)? As you know, I’m already a fan of your lady P.I., and hope to see more of her!

JoAnna: In truth, I see myself, family, friends, and acquaintances in every character I write. I’ve heard it said that writers just write about themselves and use different disguises.  A former colleague read a very early version of Betrothal, Betrayal, and Blood and saw me clearly in the lady P.I. I was so flattered!

When I have strong feelings about someone, that person will definitely wind up in my writing.

Tom: What do you find to be the most exciting part of the creating process to either novels or short stories?

JoAnna:  Ideas come over me and demand my attention, nag at me, give me no peace until I start writing.  The flow of words and the images in my mind invite me into another world, the world I am putting down on paper and yes, I often do write my very first drafts in long hand, a chapter at a time.  This first act of writing, the very beginning of a novel, transports me to another world where I am all-powerful and everything will be as I have said. Then, I discover myself writing something completely different from what I was thinking, and we’re off to the races. If I’m using my laptop, I don’t even look at the screen and just write what I see in my mind’s eye.

Weird?  You bet.

Tom: Along the same subject as above, what do you find to be the most difficult area in the creating process?

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JoAnna:  Making sure that what I see so clearly in my mind’s eye actually becomes words on the page. I have absorbed the characters and events so thoroughly that I sometimes forget that the reader has not.

Tom: Are you working on anything special right now, perhaps a sequel (I hope) to Betrothal, Betrayal, And Blood?

JoAnna:  I have completed the first draft of the next book in the San Tobino series: Holistic Death.  I can guarantee you that you’ll see some folks you know.

Tom: Besides family and writing, tell us about any hobbies or community services you may be involved in, and any other activity you would like to mention.

JoAnna:  I am currently volunteering in the Prosecutor’s Office in the City of Surprise.  The Chief Prosecutor is similar to a District Attorney.

I love to quilt and embroider, maintaining the traditions of the women in my family.  I am the first to be raised in suburbia rather than on a farm or ranch.

Tom: What advice would you give other aspiring authors hoping to break into the writing field today?

JoAnna:  Remain open to all opportunities.  There are so many how-tos, and each of them worked for somebody. It’s all so easy once it happens, and so seemingly hopeless before it happens. The activities I thought would lead somewhere usually didn’t, and then a casual note led me to a bit of success.

And throughout it all was the writing, the world of the imagination, and that is an incomparable experience.  When you realize that you would rather fail at writing than be successful at anything else, you know you’re in the right place.

Tom: Where can fans find and buy – your stories, and do you keep copies on hand for autographs? Please include website and Blogs.

JoAnna:  My novel and short stories can currently be found in Night To Dawn magazine at www.bloodredshadow.com/ My novel is also available at Amazon and B&N.

Tom:  And now a question from left field.  If you could, would you choose to live in a parallel universe as one of the people in the places you create?

JoAnna:  In a heartbeat.  I would go to San Tobino and live forever having safe adventures with Emma, Hermione, Karl and Vito.  Writing about them is the next best thing.

Tom: JoAnna, thank you very much for consenting to this interview.

JoAnna:  It’t been a real pleasure.

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In Stephen King’s Misery, his protagonist Paul said the I gotta motivated him to keep writing despite the tortures inflicted by the villain Annie. By tortures, I mean the loss of body parts, starvation, and other horrors. But he had to keep going because of the I gotta bug.

At the time, I thought I gotta was a cool expression. I gave it no more thought until I came down with the bug.

These past weeks, I’ve been revising “One Last Favor,” a tale earmarked for my anthology, City of Brotherly Death. A small press magazine published “One Last Favor” years ago. The story opens with a horde of revenants, people returning from the dead to harm the living, invading Hartland Clinic. My protagonist Tara survives by trading sex for her life. As the story advances, the dead continue their invasion, destroying entire cities. A registered nurse, Tara continues treating the sick until the monsters who bargained with her years before return for another visit. In the original version, Tara (different name in first version) joins the dead because she hates being alone.

When I evaluated the story for revisions, I thought, how trite. Most people in their right minds wouldn’t give up humanity to join a bunch of flesh-eating monsters. Tara enjoys patient care, respect, a decent income, and a comfortable apartment. Why would she give those things up?

I kept the first half of the story, revised the second, and ditched the original ending. It never occurred to me, until I was deep into my work, that I should have outlined my revision. So I got stuck. I sat before a blank screen trying to come up with a brilliant ending. If not that (you can’t win the jackpot every time), an ending that would satisfy the reader.

The thought crossed my mind to scrap the tale and move on to something else. I couldn’t do that, not with all those zombies threatening my protagonist’s life. One of my friends suggested I put the story on the back burner and go with other activities. I tried doing that, but after a couple of hours, that story called to me, demanding that I finish it. If I told you that only the prospect of sales and a contract motivated me, I’d be lying. Diggity-damn, those zombies found a way into Tara’s house, and what was she going to do about it?

My balloons need helium. Forget that. I gotta find out if Tara will live. Will the cavalry arrive in time to save her? Two editing projects are sitting in my queue. They’ll have to wait. I gotta see where Tara will finish up if she survives. I gotta know who will mourn her if she dies. I gotta find out if she manages to destroy the zombies.

Like a pearl necklace that motivates me to save until I have enough money to buy it, the I Gotta holds the promise of a brilliant ending. Chores be damned, I’ll keep going until I find that ending.

It took three tries to get a workable ending. Raising the stakes in the middle opened things up a bit, especially when Tara finds love. However, the ending is subject to change. The tale has gone to the editor. Toni of The Unbridled Editor has edited most of my tales for City of Brotherly Love. I highly recommend her.

While I wait for the edits, I shall fill my balloons and work on the other Night to Dawn projects. Because when the edits come back, I suspect there will be another go-round with the I gotta bug.

Has any of you been bitten by the I gotta bug? How did it affect your writing? Were you satisfied with the results?

City of Brotherly Death

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